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Despite that I do like Junkie's Promise I can also understand that. Thurston has written much, much better lyrics before and after Junkie's Promise. I think what I appreciate the most about that song is his vocal because it is very different from his usual vocal-style. I like that he sings certain parts of it more aggressively, and in this song I can actually overlook the lyrical content on its own for that reason. Whereas Panty Lies is just a typical Kim song. Nothing stands out about it (except maybe the music), and therefore it is harder for me to look past the lyrics and her delivery of them. |
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1. Diamond Sea
2. Washing Machine 3. Becuz 4. Little Trouble Girl 5. Junkie's Promise 6. Becuz Coda 7. Skip Tracer 8. Unwind 9. Saucer-Like 10. No Queen Blues 11. Panty Lies |
Lizard Person V&
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Junkies promise lyrics are spot on for realism. Unfortunatley the song itself kinda sucks like the rest of the album. My junk mate bless his fekin soul I suspect bought the album for this song only to realise the live daydream songs were better. Kims tuning is the best ting garn on 'ere
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This is tough. "The Diamond Sea" is obviously one of Sonic Youth's crowning achievements, but I'm not always up for the 18 min. version! Sometimes I have to admit I go with the radio edit. So that makes it a bit difficult. "Skip Tracer" is a fucking triumph.
1. Skip Tracer 2. The Diamond Sea 3. Becuz / Becuz coda (y'all forgot the coda... work's on its own as an arrangement.) 4. Unwind 5. Washing Machine 6. Saucer-like 7. Little Trouble Girl 8. No Queen Blues 9. Junkie's Promise 10. Panty Lines |
I actually like all of these songs. I go back and forth between "Unwind" and "Saucer-Like"... they're like two sides of the same coin, and while I tend to prefer Tracks with Lee on vocals, "Unwind" has that killer second half. Tension and dissonance and a build-up more ominous than that of "Saucer-Like."
I see a lot of folks have issues with "Junkie's Promise" and "Panty Lines," but I like both tracks. Junkie's is one of the heaviest Sonic Youth songs. You can hear a bit of Melvins in that crunching guitar. It defies pop songcraft and melody and sounds ugly as sin but it's also very full and has a great climax. "Panty Lines" is obviously not a classic, but I don't skip over it. There's a lot about it to love. But then I also like Arthur Doyle Hand Cream, so... maybe I'm just fucked up? Bottom line about Washbg Machine though: it's great (great) but I disagree with the common belief that it represents a return to form for the band. I actually prefer Goo and A Thousand Leaves over it in terms of the band's '90s output. I don't think they needed any "saving" or "rebranding" after EJST&NS. I fucking LOVE that album. Who among us hasn't had "Bull in the Heather" and "Sweet Shine" stuck in our heads for the past 20 years? |
Dudes/dudettes:
This is fun. Let's rank more albums' songs! |
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I am not claiming EJST&NS is some kind of hit album, one reason why I began to respect it later is that I understood how they wanted to do very non-hit album after Dirty. Kind of destroying their possible success in rokbuziness. |
Being a kid that did not get into SY until EJST&NS, I am always intrigued to hear people's perceptions of this time period for SY from the already existing fanbase. In retrospect, I can certainly see where this was an odd time.
For me, my first live SY experience was Lollapalooza, shortly before Washing Machine was even released. Only about a year or so of really getting into the,. So experiencing songs from this album live before knowing them, coupled with my overall euphoria just solidified this album's placement as a favorite in my history. |
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