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The Soup Nazi 03.23.2016 04:18 PM

Quote:

Originally Posted by pepper_green
so what. does it matter?


I don't know — you're the one who brought him up, asshole.

Rob Instigator 03.23.2016 04:44 PM

I don't like mopey Superman.

do they make these comic book films visually dark because they are afraid of the bright colors of the comic books themselves?

The Soup Nazi 03.23.2016 05:00 PM

Quote:

Originally Posted by Rob Instigator
do they make these comic book films visually dark because they are afraid of the bright colors of the comic books themselves?


That's a very good point, actually, especially if you're talking about the customes. I think they believe Batman's light grey and yellow and Superman's pale red and blue would take you back to the Adam West series and the late Christopher Reeve movies and, well, look silly. From Batman Begins on, the DC films have gone out of their way to tell the audience, "LOOK, this is a clean slate, no 'Kneel before Zod' nonsense, we MEAN IT, this is REAL...".

LifeDistortion 03.23.2016 05:15 PM

DC comics seem very afraid of the audience mocking their characters, its why I've been pointing out the super serious loo of BVS. They seem so afraid of the audience not taking them seriously, so they gave you a super serious movie, and from the early reviews I'm seeing, its not successful. Early reviews have not been positive.

pepper_green 03.23.2016 05:34 PM

Quote:

Originally Posted by The Soup Nazi
I don't know — you're the one who brought him up, asshole.


asshole?!?! I call you people geeks and you go and get yr panties in a twist. lighten up man. geeks. lol!

you live in a void? you should have tougher skin than that.

Severian 03.23.2016 10:08 PM

Quote:

Originally Posted by LifeDistortion
DC comics seem very afraid of the audience mocking their characters, its why I've been pointing out the super serious loo of BVS. They seem so afraid of the audience not taking them seriously, so they gave you a super serious movie, and from the early reviews I'm seeing, its not successful. Early reviews have not been positive.


I've read some definite stinkers at this point, but also many good ones. Everyone seems to be united in saying it's better than Man of Steel, which I doubt.

Whatever, I expect I'll be entertained, but I'll shed a tear at the continuing public smear campaign poor Superman is going through. I think it's safe to say there won't be any more Supes solo films for a while, God morherfucking dammit.

Severian 03.23.2016 10:14 PM

Quote:

Originally Posted by Rob Instigator
I don't like mopey Superman.

do they make these comic book films visually dark because they are afraid of the bright colors of the comic books themselves?


He's not mopey. He's just serious. You would be too if you were an alien protector of a planet that did nothing but slam you on need blogs. ;)

As for DC being visually dark... Have you ever seen The Flash or Supergirl tv series? They're the opposite of dark.

Even Arrow, which tries to be dark so hard that it gets comical, is a pretty light affair these days. And what about the Green Lantern movie? Shit, but not dark.

And Superman Returns. Definitely not dark. Everyone hated it.

I don't really think of Man of Steel as dark; I think of it as epic and dramatic. It had plenty of light humor, but it doubled down on action because that's what everyone wanted from Superman. And then people hated it for having too many explosions. Ugh.

Superman needs to *bigger* than your average superhero, almost by necessity.

Severian 03.24.2016 12:03 PM

The Evolution of Good
By JOSÉ ALANIZ, ASSOCIATE PROFESSOR, UNIVERSITY OF WASHINGTON

Quote:

“What is the ape to man?
A laughingstock or a painful embarrassment. And man shall be just that for the overman:
a laughingstock or a painful embarrassment.”
—Friedrich Nietzsche. Thus Spoke Zarathustra, 1883
Thus spoke German philosopher Friedrich Nietzsche in advancing his concept of the übermensch (“overman,” more commonly translated as “superman”). The evolution-tinged language, not uncommon in Darwin’s late 19th century, speaks to the threat of our eventual obsolescence, of outmoded humanity yielding to some Homo Sapiens 2.0. Such is the superman, the superior being who would withstand the burden of history’s “eternal recurrence” to rise above the herd and ful ll the species’ potential.
Nietzsche’s thought, often misunderstood and distorted, had a tremendous in uence on such moral maladies of Western culture as eugenics, Social Darwinism and fascism. It taps deep modern anxieties over our replaceability in
a fast-changing world, both by machines (the increasing mechanization of life) and by those younger, faster, smarter or otherwise more t. Yet one could say the philosopher’s ideas—with their language of “ful ll,” “rise above,” “over” —hint also at our greatest aspirations: of unboundedness, triumph—a dream of ying.
Leave it to popular culture then to translate that optimistic wish into accessible dramatic terms. The “superman” slowly ltered into the public mind, helped by George Bernard Shaw’s 1903 play Man and Superman, which prepared the soil for the word’s acceptance. Some 30 years later two teenagers
from Cleveland, Ohio, Jerry Siegel and Joe Schuster, started peddling a novel idea in the burgeoning eld of comic books. In 1938, the publisher National (later DC) nally took them up on it, despite the dubious sci- premise: a colorfully-garbed strongman with amazing powers, come from another world to save Earth from all manner of menaces. To everyone’s surprise, Action Comics No. 1, featuring the rst appearance of Superman, ew o the racks and launched a new industry: superheroes. (Siegel and Schuster’s success led Nietzsche scholar Walter Kaufmann to atly declare in the 1950s that the idea of the superman had become indelibly “associated with Nietzsche and the comics.”)
Ostensibly stripped of the übermensch’s more troubling aspects, Superman represents the best of our human form (“faster than a speeding bullet!”) and also the best of our human morality. As University of Oregon English professor Ben Saunders put it: “Whatever we collectively imagine ‘good’ at any given time, Superman must strive to be that, too.” He is not just ultra-powerful and godlike; Superman as conceived was a moral exemplar as well.
But over 78 years of history, times change—a lot. What does the concept of “good” mean today? As with all Superman stories, this is the question that Batman v Superman: Dawn
of Justice seeks to answer. The lm’s immediate predecessor, 2013’s Man of Steel (by the same director, Zack Snyder) rebooted the character (played by Henry Cavill) for a bleaker, gloomier, post-9/11 age. Its palettes of greys and blacks (even his costume got murkier) seemed out of keeping
with the hero’s bright four-color image, while its ethical breaches (Metropolis destroyed! Superman kills the bad guy!)
translated into box-o ce gold—but also alienated legions of fans who had trouble accepting this version of “good.”
Superheroes in general have certainly gotten more “adult,”
in part to shake o their camp associations; in a February
Los Angeles Times Review of Books essay, Jackson Ayres notes that since the 1980s “a shift toward darker themes, graphic violence, sexual explicitness and a generally cynical tone, an approach commonly summed up by professionals and fans with two words: grim and gritty.” (See rival studio Marvel’s recent hit Deadpool, about an R-rated superhero who delights in ultraviolence and sardonic snark.)
Many yearn for Superman as the exception, though. If Christopher Nolan’s successful Dark Knight trilogy of Batman lms—with their thematic explorations of terrorism, government overreach and madness—represents the nightmares of 21st-century USA, Superman should stand for something higher, brighter, more transcendent. But no: Man of Steel showed that not everyone minds a “darker” take on America’s rst superhero.
And judging from the new lm’s ad campaign, dark is what
we will get. “Pointedly, in these trailers Superman never once smiles,” remarked Asher Elbein in a recent Atlantic article. The storyline, in which the man of steel shares top billing with
the dark knight, deals with the impact a real demi-god would have on human society (the premise of Alan Moore and Dave Gibbons’ 1986 Watchmen), as well as the repercussions of the previous lm’s casual approach to ultraviolence as “cool.”
We return to Nietzsche’s übermensch, to the appeal of the overman (awed by the hero’s power, some choose to worship him) and to “obsolescent” man’s struggle against it (embodied by Batman/Bruce Wayne, played by Ben A eck). The lm,
in fact, takes much of its visual look from Frank Miller’s
1986 series The Dark Knight Returns, which climaxes with a showdown between the “S” and “Bat” logos. (Both DKR and Watchmen are seminal works of the “grim and gritty” school.)
Another way of putting it: Batman v Superman blows wide open the fascist underpinnings of the superhero genre, of stories whose allure lies in vigilante überbeings outing the law for the sake of what they call “justice.” And being adored for it!
In his 2000 novel The Amazing Adventures of Kavalier and Clay, Michael Chabon cuts right to this dilemma facing the creators of superhero comics (many of them Jewish-Americans) in
the lead-up to World War II. One of them wonders “if all they had been doing, all along, was indulging their own worst impulses and assuring the creation of another generation of men who revered only strength and domination.” In 1954, psychiatrist Frederic Wertham would go further, testifying before Congress that superhero comics harmed children
by facilitating a “Superman complex,” with its “fantasies of sadistic joy in seeing other people punished.”
Heavy material for a comic book movie!
On a lighter note, Batman v Superman: Dawn of Justice represents DC Entertainment’s ploy at franchise “universe- building” on the scale of its rival, Marvel (maker of the Avengers series, among others). The movie introduces Wonder Woman (Gal Gadot) and Aquaman (Jason Momoa), seeding future lms.
But in viewing this work’s confrontation with the double- edged superhero’s übermensch appeal, we may nd ourselves recalling Nietzsche’s contemporary Lord Acton, who in 1887 penned the sobering adage: “power tends to corrupt, and absolute power corrupts absolutely.”


Severian 03.24.2016 12:03 PM

Sorry for formatting issues ... Copied from a PDF. Will fix later.

Rob Instigator 03.24.2016 12:17 PM

the whole point of Superman in the comics is that he was RAISED RIGHT, by two loving people who taught him right from wrong, hard work, middle--America values, and that he should never ever ever use his powers to hurt, only to protect people.

His morals, like most of us, are ingrained in him since early childhood.

He is not and never was supposed to be a god, just an alien being whose home world was destroyed and he was the last one around.

what would be cool is a What If type story where Kal-El is not found by a middle-american couple, but by some sort of horrible motherfuckers who raised him to be a goddamn animal killing machine. THAT would be scary!!!!!!!!!

Rob Instigator 03.24.2016 12:19 PM

BTW, the premise of Watchmen is NOT about a godlike being and what he would do to society. It was, Who watches those who are designated or self-designated as our Watchmen? That comic is the best damn thing and I hate how, once a book is converted into cheap fluff film (comparatively speaking) every talking head idiot takes the films to be the TRUE iteration of the story. I HATE THAT SHIT!!!!!!

Rob Instigator 03.24.2016 12:21 PM

Almost all films made from books are as Reader's Digest Condensed Classics compare to the actual novels. They are but pale imiitations, crafted by conglomerates who care not for the source material, but instead want to create cash cows.

LifeDistortion 03.24.2016 02:56 PM

Quote:

Originally Posted by Rob Instigator
what would be cool is a What If type story where Kal-El is not found by a middle-american couple, but by some sort of horrible motherfuckers who raised him to be a goddamn animal killing machine. THAT would be scary!!!!!!!!!


D.C. have played with the idea of a non-American-raised Kal-El on a few occasions, perhaps most famous being Red Son where he fights for Stalin's Russia.

pepper_green 03.24.2016 05:36 PM

I liked David Carradine's characters, or if you will, Tarantino's interpretation of Superman in Kill Bill.

always struck me as profound.

Severian 03.24.2016 06:27 PM

Quote:

Originally Posted by Rob Instigator
BTW, the premise of Watchmen is NOT about a godlike being and what he would do to society. It was, Who watches those who are designated or self-designated as our Watchmen? That comic is the best damn thing and I hate how, once a book is converted into cheap fluff film (comparatively speaking) every talking head idiot takes the films to be the TRUE iteration of the story. I HATE THAT SHIT!!!!!!


The film was fucking awful.

I agree that it's not about a godlike being. Not sure what the author was going for there. But it is about accountability to some extent, and the dangers of personal agendas of "good." The Comedian is a hero and a fucking monster. So is Rorschach, even though his character is the moral compass of the story.

That movie was an abomination of a comic that is frankly overrated. What nobody realizes about the book is that it's really NOT A SUPERHERO STORY ... Like... At all! It's a moral quandary in comic book form, that just happens to feature costume wearing characters. But as far as actual writing and story are concerned, I've always preferred V for Vendetta. The movie was way better than the Watchmen movie too.

Jesus... That sex scene set to Leonard Cohen's Hallelujah. Yuck.

I was gonna go apeshit if Man of Steel resembled that piece of smut filth. Thank god it didn't, but it had Chris Nolan as a producer, so... This time around it's all Zach Snyder, and I'm ready for anything.

I'm not eager to find out why "Superman tub sex" is a thing now. (cringe)

Severian 03.24.2016 06:41 PM

Quote:

Originally Posted by Rob Instigator

He is not and never was supposed to be a god, just an alien being whose home world was destroyed and he was the last one around.



I have to disagree with you there. He's been a Christ analogue since his inception. Just like Harry Potter. Just like King fucking Arthur. But more so. I encourage you to read Our Hero by Tom DeHaven and (if for some reason you haven't) The Amazing Adventures of Kavalier and Clay if you doubt the depth of Superman's spiritual origins.

He's more fascinating as a god figure anyway. Take that away from him and what do you have? Fucking ... like... Luke Cage or some shit. Just a tough dude, with no world building mythology surrounding him. In other words, pretty much every Marvel character.

Also, the question of how the planet would (realistically) react to a person like that is an important one, and I believe it's the secret to keeping Superman relevant. We'd fear and hate him. Times Do change. It's not 1938 anymore. Superman either adapts and changes with it, or he stays in the past. Not an option.

Everyone need to get over their gripes about what a character "should" be. These films are just reflective of one era... Sometimes just one year or one weekend. They pass. There will be others. The character is what it is, and it's different at different times. I think Man of Steel maintained the essence of Superman very well without being a silly little joke.

Starting to worry about BvS though.

The Soup Nazi 03.24.2016 07:58 PM

Well, there's always The Lego Batman Movie. Voiced by Will Arnett!

http://news.google.com/news/story?cf...l5F X06K_m-LM

pepper_green 03.24.2016 08:51 PM

sees upper man isn ont conflicted like bateman, tge geejs kuve tgus abd tgat . icneruc gerei gere. I lunch today and couth a gleinp of booting

Severian 03.24.2016 09:11 PM

Quote:

Originally Posted by The Soup Nazi
Well, there's always The Lego Batman Movie. Voiced by Will Arnett!

http://news.google.com/news/story?cf...l5F X06K_m-LM


Will Arnett? Really? I saw that in the store the other day and briefly considered watching it. Now I'm definitely going to.

Severian 03.24.2016 09:41 PM

I've read some terrible reviews, and a few glowing ones... But mostly so-so ones that say "there's some cool stuff, but ultimately.. It's a goddamn mess."

You know what's weird and kind of embarrassing? I honestly just want everyone to shut up about the movie so I can see it and tell people how it really is. I legitimately feel like I'm more qualified to comment on this movie than anyone I've ever known in my life, certainly more than some blogger whom I know nothing about.

Looks like I'm going to be able to write a review though. Which is cool in a really satisfying way. Even if I hate the film, being paid to write about it as a fun side-project to my actual job as a reporter is just totally and objectively fucking badass.

Toilet & Bowels 03.25.2016 06:19 AM

Quote:

Originally Posted by Severian
I've read some terrible reviews, and a few glowing ones... But mostly so-so ones that say "there's some cool stuff, but ultimately.. It's a goddamn mess."

You know what's weird and kind of embarrassing? I honestly just want everyone to shut up about the movie so I can see it and tell people how it really is. I legitimately feel like I'm more qualified to comment on this movie than anyone I've ever known in my life, certainly more than some blogger whom I know nothing about.

Looks like I'm going to be able to write a review though. Which is cool in a really satisfying way. Even if I hate the film, being paid to write about it as a fun side-project to my actual job as a reporter is just totally and objectively fucking badass.



You write for a living?!?!??!?!?!?!?!?!?!?!!!?!

Rob Instigator 03.25.2016 08:39 AM

I loved the Watchmen movie. I hated the change at the end but otherwise I thought it was fucking awesome.

The comic is the single greatest thing I have ever read in graphic storytelling. I have re-read it 5-6 times and every single time I am astounded by the depth, complexity, intricacy, and rigor of the writing and the art. It is the greatest graphic novel to me.

I am gonna rewatch that shit tonight!!!!

Severian 03.25.2016 11:14 AM

Quote:

Originally Posted by Toilet & Bowels
You write for a living?!?!??!?!?!?!?!?!?!?!!!?!


Um... yes. Well, I work for a newspaper. I do layout and design and handle small publications, but I also spend a lot of time reporting and writing features. The opportunity came out of nowhere last year, and I took it.

I'm not getting a great vibe from the barrage of question marks and exclamation points. But, you know... think what you want to think. My life has been very weird. Nothing went according to plan. I feel very fortunate to have this job and I put a lot of myself into it.

Severian 03.25.2016 11:17 AM

Quote:

Originally Posted by Rob Instigator
I loved the Watchmen movie. I hated the change at the end but otherwise I thought it was fucking awesome.

The comic is the single greatest thing I have ever read in graphic storytelling. I have re-read it 5-6 times and every single time I am astounded by the depth, complexity, intricacy, and rigor of the writing and the art. It is the greatest graphic novel to me.

I am gonna rewatch that shit tonight!!!!


Oh. Well. I definitely misunderstood you then. I thought we were on the same page... that it was "fluff" (or, as I'd put it, terrible beyond any measure and positively agonizing to watch. Genuinely hilarious in its awfulness, and possibly the worst film of the past 20 years.)

Whatever though.

Toilet & Bowels 03.25.2016 03:39 PM

Quote:

Originally Posted by Severian
Um... yes. Well, I work for a newspaper. I do layout and design and handle small publications, but I also spend a lot of time reporting and writing features. The opportunity came out of nowhere last year, and I took it.

I'm not getting a great vibe from the barrage of question marks and exclamation points. But, you know... think what you want to think. My life has been very weird. Nothing went according to plan. I feel very fortunate to have this job and I put a lot of myself into it.


I hope your editor is well paid.

Rob Instigator 03.25.2016 03:53 PM

Quote:

Originally Posted by Severian
Oh. Well. I definitely misunderstood you then. I thought we were on the same page... that it was "fluff" (or, as I'd put it, terrible beyond any measure and positively agonizing to watch. Genuinely hilarious in its awfulness, and possibly the worst film of the past 20 years.)

Whatever though.



You may need to rewatch it with an open mind!!!!

Severian 03.25.2016 05:53 PM

Quote:

Originally Posted by Toilet & Bowels
I hope your editor is well paid.


I think it's genuinely funny that you think you know anything about my writing, or my intelligence. I haven't made a post here that wasn't hastily typed up on an iPhone since 2012.

But whether I'm a good writer or a bad writer, I'm still paid to write, and attend films, and go to Sanders rallies, so.... :fuckyou:

Severian 03.25.2016 05:57 PM

Quote:

Originally Posted by Rob Instigator
You may need to rewatch it with an open mind!!!!


Actually I did, a few years ago. I always forget about that. I wanted to show my girlfriend the "worst movie ever made," and when we were done I felt silly. It had some of the worst acting I've ever seen, but it was beautifully filmed and the music sequences added a lot.

Yeah, it wasn't THAT bad.

pepper_green 03.25.2016 05:59 PM

you guys still talking about batman and superman? the hell. and who the fuck visits a message board on a smart phone? isn't that PC relaxed time while your washing clothes, doing dishes and listening to music AT HOME? smart phones ruined the message board. I will not own one ever. fuck, we should just post randomly on a sonic youth FACEDICK.

I have a flip phone so im a shady mysterious crack head drug dealer filling your head with lies. love it.

Severian 03.25.2016 08:15 PM

Quote:

Originally Posted by pepper_green
you guys still talking about batman and superman? the hell. and who the fuck visits a message board on a smart phone? isn't that PC relaxed time while your washing clothes, doing dishes and listening to music AT HOME? smart phones ruined the message board. I will not own one ever. fuck, we should just post randomly on a sonic youth FACEDICK.

I have a flip phone so im a shady mysterious crack head drug dealer filling your head with lies. love it.


You're a weird guy p_greezy. Like, a super weird guy. I don't think I actually "lol'd" at something I'd read on the internet until I encountered you though.

But yeah, man. I have a MacBook and shit, and an iPad Pro (which I got from the office, presumably for being such a talentless writer ;) ), and a Mac desktop, but work is a constant thing for me these days. It's after 8 on Good Friday and I'm taking emails. So I spend a hell of a lot of time on my iPhone.

But you do your thing man.

pissonu 03.26.2016 04:26 AM

shit was wack. even the dopest part of the movie; batman, was wack. he aint supposed to kill but the nigga was smokin fools like i smoke blunts. it was dope that a movie finally showed his combat and stealth skizzillz like they should be represented

pissonu 03.26.2016 04:46 AM

lex luthor was gay as fuck too. that nigga cannot act. i was like seriously!?!?! shit was straight outta a b movie.

Severian 03.26.2016 07:37 PM

I thought it was perfectly fine. Not enough Superman. Not nearly enough. And the end was like.... uhh... Really? But I have no idea why the critics are busting it up. It's a smart fun film, for the kinds of comic book fans who, like myself, prefer darker and more mature themes, but my only real beef with the movie is the goddamn ending.

I guess I'll just say this: if you love Superman, and he's the main reason you're seeing the film, you're gonna feel conflicted about it. Anyone else should find plenty to love about it.

Luthor was fine.
Affleck was fine. I'd totally watch an Affleck Batman movie.

But I don't need more Batman. I need Superman. I want Superman. And that's the only thing I took issue with. There's not enough Superman, and what there is is often muted by voiceovers or cut short by scene changes.

If you can't follow this movie you're a goddamn moron.
If you want to see the Avengers, go watch the Avengers.

I mostly loved it.

pissonu 03.26.2016 11:12 PM

i was entertained. and batman was dope. doper than the nigga bale's. the flick aint as good as nolans but the character portrayal was on point.fool shouldnt of been smokin niggas like that though. he didnt even give a fuck. im all for a brutal batman but he aint supposed to kill; he just cripple niggas. luthor was retarded. at the end when bats left the him in the cell that shit made me cringe. horrible acting. and the niggas hair lookd ridiculous.

SuchFriendsAreDangerous 03.27.2016 12:15 AM

My sister walked out.

Severian 03.27.2016 11:31 AM

Batman was definitely doing a lot of indiscriminate grenade launching for someone with such a big problem with "collateral damage" ... But the same thing happened in Tim Burton's films. There were automatic weapons on the batmobile, and he blew the shit out of a ton of people.

But whatever. I don't really care much about that.

Not sure why anyone would walk out. I've never walked out of a movie in my life. Even the really shitty ones. I'd rather sit there and watch dumb shit happen than waste my money and leave. I am a finisher, though. I don't quit books I don't like either.

There was nothing bad about the acting. Jesus, the combined acting "talents" of the Avengers comes out to a far lower average. Nobody sucked in the film. Pretty much everyone sucks in the Avengers, except for RJD... Chris Evans grows on you, and I like him now, but even the good actors have horrendous delivery (Scarlet, looking at you)

Luther was cool to me. Definitely tweaked, definitely insane. Definitely weird, but it worked for me.

The only thing I struggle with is the end. Damn.

As for the whole movie, it's not for everyone. It is definitely thrilling for DC comics fans who have waited their entire lives to see some of their favorite story arcs come to life. But (for instance) if you don't know who Darkseid is, then Luthor's ramblings aren't going to mean much to you.

I really just want to see Superman get his own movie. Man of Steel was what I wanted and needed, and Man of Steel was only present in this film in fits and spurts. That epic music, (Superman's "theme") is just excellent, but there wasn't enough of it. Seems unlikely now that Superman will have his own film any time in the near future. I went twenty years waiting for him to come back, and now I'll probably have to go twenty more.

Fuck that ending, and fuck the critics. And fuck the studio for asking so much of Zach Snyder (who should really just be a cinematographer... he's good with that shit.)

Severian 03.27.2016 11:31 AM

Quote:

Originally Posted by SuchFriendsAreDangerous
My sister walked out.


Did she say why? Is your sister a fan, or just a casual viewer?

The movie really SHOULD appeal to both, but I don't think it will. Just curious.

pissonu 03.27.2016 04:48 PM

nigga i cant believe you thought luthor was good. its like ever since the joker they think they gotta make the villains all mentally ill and they just come out looking like weakass joker imitations. it woulda been cool if the actor coulda pulled it off but the nigga cant pull off psycho as an actor. he just look stupid

Severian 03.27.2016 09:38 PM

Quote:

Originally Posted by pissonu
nigga i cant believe you thought luthor was good. its like ever since the joker they think they gotta make the villains all mentally ill and they just come out looking like weakass joker imitations. it woulda been cool if the actor coulda pulled it off but the nigga cant pull off psycho as an actor. he just look stupid


Yes I agree that Heath's Joker kinda ruined all comic book villains, by simply being the best goddamn villain of all fucking time. I mean, he won an OSCAR. And yes, Eisenberg's whacked out Luthor is like a mash-up of Joker, Riddler, a gay stereotype, and Eisenberg's own portrayal of Mark Zuckerberg.

Was he the best choice? No. But the film was a bad choice altogether. They should have made Man of Steel 2 PROPER, and they should have cast BRYAN CRANSTON as Lex Luthor, and used his acting chops to bring new life to a more traditional take on Lex.

BUT, this was an experiment of sorts. And in their effort to cast a villain and make him menacing and unnerving, they succeeded. It's not really "Lex Luthor," in fact, I read that the character is literally supposed to be Luthor's son, but that makes zero goddam sense.

For an experiment, I think it worked. At the very least, it did not suck, nor did it ruin anything about the movie for me. So I see where you're coming from, but I'm ok with experimentation in these things.

The Penguin in Burton's Batman Returns was NOTHING like the original Penguin. He was a monster, he was goddamn disgusting. But he worked!

The only parts of the film I didn't like were the dream sequences and the ending. And I only disliked the ending because, y'know... nooooo! and whatnot.

Plus the Flash scene looked DOPE. And Wonder Woman really did kind of steal the show. Gal Gadot was great. Seeing the "trinity" stand together on the big screen is a feat that probably should have never been attempted, because the characters don't make much sense in a "real life" adaptation, where all of their worlds exist. I would have preferred solo flicks, but god DAMN it was awesome to see them standing together like that.

The real problem here is that people don't like Superman anymore. Only true hardcore comic fans even see the point of his character. But he's my guy, and my heart races whenever I see him in action on a big screen (which again, there wasn't enough of in this film).

I truly don't understand the super negative reviews though. I know bad movies when I see them. This was a spectacle, and was a bit overdone, but it was INFINTELY better than Age of Ultron, or even the Avengers.

I'm looking forward to Civil War, which looks like a couple rival gangs fighting in a parking lot compared to BvS, but it's not going to be this good. And it's also very deliberately trying to rip off the idea. They're turning Cap into Marvel's Superman (which he always kind of has been), but they're doubling down on it. And I'll wager Cap's going to die at the end. (Or Iron Man is, but they'll probably follow the comics and kill Cap off).

Whatever, Batman and Superman are the best. Critics are acting like this is some Batman & Robin like abomination, but that's utter bullshit.

Doomsday was really something, huh?

Anyway, I hope they keep on keeping on. I'll watch more "Batfleck" ... He was good. He doesn't deserve that viral video of him going all sad-face to "the sound of silence" when that interviewer asked him what he thought of the negative critic reviews. Poor guy.

pissonu 03.28.2016 12:27 AM

hell naw it aint that bad. it was entertaining as hell and batman alone made it worth it for me, nigga. they had to put batman in it so it would sell. superman on his own dont sell as good


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