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porkmarras 06.10.2006 12:40 PM

 

porkmarras 06.10.2006 12:46 PM

 

porkmarras 06.10.2006 12:47 PM

During the filming of Women In Revolt, Jackie Curtis refused to perform unless Andy Warhol was actually doing the filming. In preparation for the shoot, Warhol put the film in the camera backwards, but fortunately, Paul Morrissey noticed it before they actually started filming. (UV134) Holly Woodlawn’s first scene was with Martin Kove who played the boyfriend from whom she wanted independence. Martin Kove would later become part of the cast of the television series, Cagney and Lacey. He had no idea who or what Holly Woodlawn was, having just come out of the military service. Holly had no idea what the film was about, thinking it was about lesbianism - not feminism. (HW184)
During the filming, Holly Woodlawn was intimidated by both Candy Darling and Jackie Curtis who “always dominated the scenes” and Holly began to drink heavily. When Candy told Holly that she was upset by her behaviour and Candy’s manager asked Woodlawn to quit harrassing his client, Holly physically attacked both Candy Darling and her manager. They were eventually pulled apart by Rita Redd and Jackie. (HW187-8)
The filming turned into an “insane folly” of booze and drugs with Jackie, Candy, Rita, Estelle and Baby Betty “piled into a bathroom, downing glasses of wine... and shooting up speed” while doing their hair and faces before filming the scene where Holly ended upside down in a wheelchair having sex with a complete stranger. (HW189)

porkmarras 06.10.2006 12:50 PM

 

porkmarras 06.10.2006 12:51 PM

WOMEN IN REVOLT, AN INSTALLATION BY BRUCE LABRUCE A white room. A white television set. A bloody handprint.

I recently set out to make a video compilation of clips from my favourite mainstream narrative and art movies. After I'd pulled them all, I realized that on a purely subconscious level most of my choices involved women, often in some form of masquerade, either in the midst of a nervous breakdown or in the process of killing themselves or someone else. Invariably they were in some stage of revolt.

It raised some questions. Should someone report me to Women's Lib? Is there still a Women's Lib to be reported to? Am I, a fag, painfully identifying with these women? Or is it just an excuse to be a misogynist like so many other homosexual men?

Or, to quote Tippi Hedren in Marnie, will it cross your mind that "I don't have to watch that filth to know that women are stupid and feeble and men are filthy pigs."

You decide.

Most of the scenes came from movies from the sixties or seventies, quite often involving Tuesday Weld or Natalie Wood. I added a modern soundtrack.

But is it art?

 
 
RM. 205
SUSAN HOBBS GALLERY
137 Tecumseth Street
Toronto, Ontario
M6J 2H2
T 416 504 3699
F 416 504 8064
info@susanhobbs.com
www.susanhobbs.com

porkmarras 06.10.2006 12:53 PM

The filming turned into an “insane folly” of booze and drugs with Jackie, Candy, Rita, Estelle and Baby Betty “piled into a bathroom, downing glasses of wine... and shooting up speed” while doing their hair and faces before filming the scene where Holly ended upside down in a wheelchair having sex with a complete stranger. (HW189)
That's class!!!!!!

porkmarras 06.10.2006 12:54 PM

 

And Joe obviously.

porkmarras 06.10.2006 12:56 PM

RE: P3P compliance and Tomcat
From: Joe Dalessandro <jad@situpartners.com>
Date: Thu, 21 Jun 2001 09:33:59 -0600
Message-ID: <897AA356AC7FAB41BD3903D648A9D97415A697@MOBY.hq.se archbuilder.com>
To: "'Martin Presler-Marshall'" <mpresler@us.ibm.com>
Cc: www-p3p-dev@w3.org
21 June 01Tomcat standalone. Apache is shutdown.I have utilized the deployment guide for use in compliance for a web siterunning on a Linux box using Apache. I found the deployment guide to beexcellent, and the P3P validation process to be great. I will let you knowhow the Tomcat server compliance shakes out once we have it.Thanks,Joe Dalessandro---------------e: jad@situpartners.com-----Original Message-----From: Martin Presler-Marshall [mailto:mpresler@us.ibm.com]Sent: Thursday, June 21, 2001 9:21 AMTo: Joe DalessandroCc: www-p3p-dev@w3.orgSubject: Re: P3P compliance and Tomcat Are you running tomcat atop Apache, or standalone? If you're using iton top of Apache, the P3P deployment guide tells how to send the headerswith an Apache server: http://www.w3.org/TR/p3pdeployment I don't know that anyone in this group has researched how to do thison Tomcat standalone... -- MartinMartin Presler-Marshall - Program Manager, Privacy TechnologyE-mail: mpresler@us.ibm.comPhone: (919) 254-7819 (tie-line 444-7819) Fax: (919) 254-6430 (tie-line444-6430)Received on Thursday, 21 June 2001 11:34:06 GMT

porkmarras 06.10.2006 12:57 PM

?????

porkmarras 06.10.2006 01:02 PM

Joe D'Alessandro was born in Pensacola, Florida on December 31, 1948, and thus was 20 years younger than Warhol. He met him during his "blossoming of his youth". I asked Warhol, why he wanted to have the desirable youth portrayed by Breker.
The answer was: "I love Breker's sculptures, as much as I love Joe -- and even more. Sculptures are more loyal than men, they cannot run away."

porkmarras 06.10.2006 01:05 PM

notice: gavin brown gallery continues to handle billy name vintage prints (from the factory darkroom, made in the sixties)and selected contemporary reprints, b/w and color, as well as vintage thermofax prints, factory edition.


contact: gavin brown - the gallery,
436 w. 15th st., new york, ny 10011
tel 212 627 5258, fax 212 627 5261
email: gallery@gavinbrown.biz
-
contemporary reprints are also available through artist's agent
kevin kushel, ovoworks, ny.
kevinkushel@aol.com



porkmarras 06.10.2006 01:11 PM

 

porkmarras 06.10.2006 01:16 PM

 

porkmarras 06.10.2006 01:19 PM

 

porkmarras 06.10.2006 01:21 PM

No more can be said:
 

porkmarras 06.10.2006 01:24 PM

 

Glass of milk pal?

porkmarras 06.10.2006 01:27 PM


 

This is a gem.The child actor appears on the original cover of ''that joke isn't funny anymore''.This is the original still from the film it comes from.

More info:
unknown actors from the Mosfilm Production "The Enchanted Desna" by Julia Solntseva (1965), photo taken from "Films and Filming", February 1965.

porkmarras 06.10.2006 01:30 PM

 

How soon is now?

porkmarras 06.10.2006 01:32 PM

 

boo!

porkmarras 06.10.2006 01:35 PM

 

porkmarras 06.10.2006 01:40 PM


 

This photo was taken by Dennis Hopper.

porkmarras 06.10.2006 01:42 PM

"Andy Warhol may have become a household name as he wanted to, he may have appeared on the TV show The Love Boat, and he may have hobnobbed with fancy folk as well as being a lighting rod for the underground. He may have made movies and written books, he may have been the force behind the magazine Interview, but first and foremost, he was an artist. It was all part of his art. Warhol was an artist who changed American culture. It will never look the same now that we have seen it through his eyes. Part of what he did was to re-present it in a way that seemed real to him. This is the point of art - to capture things as they are in their essence, and also to describe the world. Warhol described America in particular - and the paintbrush was just one of the tools with which he captured and changed our culture" (Ingrid Sischy, Interview 1996).

porkmarras 06.10.2006 01:43 PM

Dennis Hopper, actor, director, and artist, began making paintings and assemblages in the mid-1950s. In the early 1960's, Hopper was influenced by art world friends including California artists, Edward Kienholz, and Bruce Connor. It was at this time he began making photographs of likes of Timothy Leary, Martin Luther King, and Andy Warhol. "Hopper's photographs from the 1960's so often convey a 'right in the middle' point of view, close up to their subjects, obliquely angled, zooming in not on a 'subject' but on a series of moments. Some of these moments are posed, even staged, others are fleeting and candid; some of these images are of people, others are of places, still others of situations and events, and still others of pure images formed in quotidian reality and framed by the camera eye into abstraction and/or the ground-zero semiotic encouraged, even dictated, by the Pop sensibility. Many of Hopper's photographs have a 'painterliness' to them that bespeaks his roots in Abstract Expressionism. (Peter Frank, "Dennis Hopper, A System of Moments," MAK Museum Catalogue, Vienna, Austria, 2001)

porkmarras 06.10.2006 01:44 PM


 

Son of Andy Warhol by Taylor Mead

krastian 06.10.2006 01:46 PM

Have fun man!

porkmarras 06.10.2006 01:47 PM

Quote:

Originally Posted by krastian
Have fun man!

eh?

krastian 06.10.2006 01:49 PM

To Candymoan.....at the show.

porkmarras 06.10.2006 01:50 PM

oh i see.

porkmarras 06.10.2006 01:50 PM

 

porkmarras 06.10.2006 01:54 PM

And what connects Nico,Morrisey and Alain Delon?

porkmarras 06.10.2006 02:01 PM

http://smironne.free.fr/NICO/bio.html

HaydenAsche 06.10.2006 03:24 PM

I hope you love the show. Morrissey is amazing live.

porkmarras 06.11.2006 12:33 PM

 

Alain Delon

porkmarras 06.11.2006 12:36 PM

 

Nico and little Ari.

LittlePuppetBoy 06.13.2006 07:47 AM

The only song I have heard of Morrisey's in his solon career is You Have Killed Me, but I find it pretty boring.

corporate.ghost 07.01.2006 11:41 AM

I never got to see the Smiths, so it's great listening to all of the Smiths stuff when the Mozzer plays live.

hotbutterknives 07.03.2006 12:46 PM

morrissey is truly a living saint

im almost jealous of you , cuz moz is not coming to canada for this our, so good show you lucky bastard

candymoan 07.04.2006 03:55 AM

oh yeah..
the seal pups getting butchered..
moz doesn't like that..
he will punish canada by not going there...


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