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sarramkrop 12.18.2007 08:33 AM


 
7105, LoVid, April 28, 2007. 2007 Wave Farm Installations and Special Projects. free103point9 Wave Farm, Acra, NY. 7105 hoop house. (image/jpeg, 234.3 KB)
Artists: LoVid
Works: 7105

sarramkrop 12.18.2007 08:35 AM

 


puff bang reverb, Douglas Repetto, June 18, 2007. 2007 Wave Farm Installations and Special Projects. free103point9 Wave Farm, Acra, NY. Puff panel detail. (image/jpeg, 94.3 KB)
Artists: Douglas Repetto
Works: puff bang reverb

sarramkrop 01.15.2008 11:50 AM

Shary Boyle






 

 
 







 



http://www.sharyboyle.com/painting07.htm

sarramkrop 01.15.2008 12:13 PM

The Seripop design team

 


 


 

http://www.seripop.com/

sarramkrop 01.15.2008 12:29 PM

Adam Szrotek

http://www.adamszrotek.com/puloweren.htm






 




 



 

sarramkrop 01.15.2008 12:37 PM

Ken Kagami

http://www.kenkagami.com/



 




 



 



 

krastian 01.19.2008 02:30 PM

Keep 'em coming!!

Cantankerous 01.19.2008 02:47 PM

Quote:

Originally Posted by Cantankerous
that last one is wrong. i love it.

i can't figure out what i was referencing, it must be something that's not on here anymore

Cantankerous 01.19.2008 02:48 PM

Quote:

Originally Posted by sarramkrop



i love the bunny. or mouse or whatever the hell that is

Tokolosh 01.19.2008 02:57 PM

Mark Ryden

 


 


 


 


http://www.markryden.com/

Tokolosh 01.19.2008 03:12 PM

The Animal Sweater was first shown at The Biggest Visual Power Show in Zollverein, Germany in 2006. These images are from the Sandberg Institute’s New Work show in Amsterdam, September 2006.

 


 


Once upon a time, nature was an unpredictable place of mystery. Fascinated with nature’s untamed wildness, artists created animal and floral patterns as a celebration of this phenomenon of the physical world.

Today this wilderness has disappeared and nature has lost its unique position. There is nothing that has not yet been altered by human intervention. Man has conquered the nature and is repackaging it neatly. Zoos, parks, artificial beaches and genetic engineering. We have cultivated nature for our own convenience. Now, it is instead man-made cultural constructions that are becoming increasingly autonomous and slipping out of our control. Wild systems like brands, stock markets and traffic is the wilderness of today. Nature has become culture and culture is turning into our new nature.

As we are surrounded by logos, we are systematically invited, encouraged and directed in what we do. Brands want to be personal and engage in a relationship with you. They want to become a central part of your life. But there is no dialogue, only targeted one-way communication. The symbols are constantly in your field of vision but they are still not part of the public domain. Ownership is of the corporations and the destiny of the logos is in their hands.

In the pattern of the Animal Sweater, 180 animal shaped logos are set free. Emphasizing the beauty of the stylized animals and their collective kinship, rather than each mark’s individual commercial value, the pattern suggests a new way to experience the commercial imagery.

The fabric of the sweater was knitted using computerized knitting technology at the Nederlands Textielmuseum in Tilburg and the garment was cut and sewn by Dima Stefanova.

Cantankerous 01.19.2008 03:46 PM

Quote:

Originally Posted by Nefeli
i think you were reffering to this
Liv Carle
 

posted by Bunbury

yeah! that's the one.

Quote:

Originally Posted by Tokolosh
The Animal Sweater was first shown at The Biggest Visual Power Show in Zollverein, Germany in 2006. These images are from the Sandberg Institute’s New Work show in Amsterdam, September 2006.

 


 


Once upon a time, nature was an unpredictable place of mystery. Fascinated with nature’s untamed wildness, artists created animal and floral patterns as a celebration of this phenomenon of the physical world.

Today this wilderness has disappeared and nature has lost its unique position. There is nothing that has not yet been altered by human intervention. Man has conquered the nature and is repackaging it neatly. Zoos, parks, artificial beaches and genetic engineering. We have cultivated nature for our own convenience. Now, it is instead man-made cultural constructions that are becoming increasingly autonomous and slipping out of our control. Wild systems like brands, stock markets and traffic is the wilderness of today. Nature has become culture and culture is turning into our new nature.

As we are surrounded by logos, we are systematically invited, encouraged and directed in what we do. Brands want to be personal and engage in a relationship with you. They want to become a central part of your life. But there is no dialogue, only targeted one-way communication. The symbols are constantly in your field of vision but they are still not part of the public domain. Ownership is of the corporations and the destiny of the logos is in their hands.

In the pattern of the Animal Sweater, 180 animal shaped logos are set free. Emphasizing the beauty of the stylized animals and their collective kinship, rather than each mark’s individual commercial value, the pattern suggests a new way to experience the commercial imagery.

The fabric of the sweater was knitted using computerized knitting technology at the Nederlands Textielmuseum in Tilburg and the garment was cut and sewn by Dima Stefanova.

i want that sweater so bad

Tokolosh 01.19.2008 03:51 PM

The first image looks great as a desktop. Tiled function.

Cantankerous 01.19.2008 03:52 PM

i would but all my desktops for the past year or something have been space. my current desktop is my avatar over there.

sarramkrop 01.22.2008 06:53 AM

This is a friend of mine's work. I don't like all the stuff that he makes but most of it is cool:

http://www.johnleebird.com/galleries







 



 

 

sarramkrop 01.22.2008 06:58 AM

Quote:

Originally Posted by Tokolosh
The Animal Sweater was first shown at The Biggest Visual Power Show in Zollverein, Germany in 2006. These images are from the Sandberg Institute’s New Work show in Amsterdam, September 2006.



 




 


Once upon a time, nature was an unpredictable place of mystery. Fascinated with nature’s untamed wildness, artists created animal and floral patterns as a celebration of this phenomenon of the physical world.

Today this wilderness has disappeared and nature has lost its unique position. There is nothing that has not yet been altered by human intervention. Man has conquered the nature and is repackaging it neatly. Zoos, parks, artificial beaches and genetic engineering. We have cultivated nature for our own convenience. Now, it is instead man-made cultural constructions that are becoming increasingly autonomous and slipping out of our control. Wild systems like brands, stock markets and traffic is the wilderness of today. Nature has become culture and culture is turning into our new nature.

As we are surrounded by logos, we are systematically invited, encouraged and directed in what we do. Brands want to be personal and engage in a relationship with you. They want to become a central part of your life. But there is no dialogue, only targeted one-way communication. The symbols are constantly in your field of vision but they are still not part of the public domain. Ownership is of the corporations and the destiny of the logos is in their hands.

In the pattern of the Animal Sweater, 180 animal shaped logos are set free. Emphasizing the beauty of the stylized animals and their collective kinship, rather than each mark’s individual commercial value, the pattern suggests a new way to experience the commercial imagery.

The fabric of the sweater was knitted using computerized knitting technology at the Nederlands Textielmuseum in Tilburg and the garment was cut and sewn by Dima Stefanova.


That's awesome.

sarramkrop 01.22.2008 07:13 AM


 



 


Magnus von Plessen

sarramkrop 01.22.2008 07:19 AM

Alessandro Pessoli





 




 


 

sarramkrop 01.22.2008 07:23 AM

Thaddeus Strode



 








 





 

 

sarramkrop 01.22.2008 07:30 AM

Thomas Allen



 




 




 

 

sarramkrop 01.22.2008 07:35 AM

Tim Hawkinson





 




 

 

sarramkrop 01.22.2008 07:53 AM

Maurizio Cattelan

 


 


 

krastian 01.22.2008 01:45 PM

Quote:

Originally Posted by sarramkrop



 

That's what I'm talkin' about.

Tokolosh 01.24.2008 03:52 AM

Jonas Staal & Vincent W.J. van Gerven Oei

The exhibition Al-Qa'ida Torture Devices comprises a presentation of a selection of typical western household appliances, tools and other instruments, such as electric irons, drills and cutting torches, which Al-Qa'ida has been using as torture devices on captives.

Historically, Osama bin Laden, a current leading figure in the Al-Qa'ida network, used to be an important US ally during the Afghanistan war (1988) against the former Soviet Union. During the last few decades, this relationship reversed completely: Al-Qa'ida is now 'protesting' against what it perceives as the intervention of western (American) countries into the islamic world. However, it is interesting to notice that, despite their disgust of western influence, they have employed basic western products, i.e. house- hold appliances and other tools, in order to fight and combat the 'intruders' and other enemies of their choice.

Our western society has not only provided part of the social and cultural context for Al-Qa'ida to operate in, it has, moreover, provided it with the tools to do so more effectively.

On April 24, 2007, American soldiers searched a so-called 'Al-Qa'ida safe house'. They found a collection of explicit hand drawn pictures, possessing a certain 'art brut' quality, that presumably has been used as a guide to the torturing of enemies. The products and their description that have been depicted in this collection form the basis of Al-Qa'ida Torture Devices.

In the same house, the American soldiers found a captive, hanging in chains from the ceiling, that had been tortured in a fashion suggested by the drawings.


The seemingly 'innocent' tools that are on display, obtain in perspective of the exhibition their violent content, that has been suggested in the afore- mentioned drawings. This ambiguity inherent to the tools and devices is representative for the double position that Al-Qa'ida occupies in relation to the western world, both as (former) ally and (current) enemy.

 


 


 


 


News article about the torture methods

Official site Jonas Staal

Tokolosh 01.24.2008 04:04 AM

Continued:

"Art" or abuse?

Katinka Simonse TINKEBELL

TINKEBELL. is Katinka Simonse's alter-ego, a 'designer of discussions'. She created a huge controversy over the killing of her cat in order to make a designer hand bag out of it, claiming she "always wanted to carry it close to herself". TINKEBELL. researches the issues of contemporary populist movements, including animal rights activism, and their strategies. Hypocrisy within these movements and discourses is the main focus point of her work.

She recently got a lot of heat for one of her installations named SAVE THE PETS.

 


 


 


 


Those hamsters look like they're having loads of fun in those transparant plastic balls. No?

Official website: http://www.tinkebell.com/

m1rr0r dash 01.24.2008 04:30 AM

Quote:

Originally Posted by Tokolosh
Al-Qa'ida is now 'protesting' against what it perceives as the intervention of western (American) countries into the islamic world. However, it is interesting to notice that, despite their disgust of western influence, they have employed basic western products, i.e. house- hold appliances and other tools, in order to fight and combat the 'intruders' and other enemies of their choice.

Our western society has not only provided part of the social and cultural context for Al-Qa'ida to operate in, it has, moreover, provided it with the tools to do so more effectively.

The seemingly 'innocent' tools that are on display, obtain in perspective of the exhibition their violent content, that has been suggested in the afore- mentioned drawings. This ambiguity inherent to the tools and devices is representative for the double position that Al-Qa'ida occupies in relation to the western world, both as (former) ally and (current) enemy.



...interesting. i always thought nothing said "We hate the West!" like driving around in a brand name pickup truck while waving chinese-made kalinshnikov rip offs...


 

sarramkrop 01.24.2008 07:07 AM

Lou Shabner

(19?? - 19??)

Lou Shabner was already an accomplished glamour artist in his native England for 25-plus years before becoming one of Brown and Bigelow's last pin-up painters. He often worked in gouache on board (which the examples below show), but was just as comfortable using other mediums. Included here is a complete monograph calendar from 1952.



 



 


sarramkrop 01.24.2008 07:13 AM

Lisa Kokin



 

 


 

http://easydreamer.blogspot.com/sear...l/Illustration

Tokolosh 01.24.2008 07:32 AM

 

Nam June Paik (July 20, 1932 - January 29, 2006) was a South Korean-born American artist.
He worked with a variety of media and is considered to be the first video artist.

 


 


 


http://www.paikstudios.com/

sarramkrop 01.24.2008 07:48 AM

I love Paik's stuff.

Marcel Lefracq

 


 


 


http://www.lefrancq.be/Pagecadre.htm

Bal 01.26.2008 05:02 AM

pumb
 

nicfit 03.20.2008 04:03 PM

 

 

 

Tokolosh 06.04.2008 08:34 AM

Cameras designed by Wayne Martin Belger.
Otherwise known as Boy of Blue Industries.

 

Untouchable (HIV)

Designed to study and photograph a geographic comparison of people suffering from HIV.

4”x5” camera made from Aluminium, Copper, Titanium, Acrylic and HIV positive blood. The blood pumps through the camera then in front of the pinhole and becomes my #25 red filter. Designed to shoot a geographic comparison of people suffering from HIV.

 

Third Eye Camera

Designed to study the beauty of decay.

4”x5” camera made from Aluminium, Titanium, Brass, Silver, Gem Stones and a 150 year old skull of a 13 year old girl. Light and time enters at the third eye, exposing the film in the middle of the skull.

 

Heart Camera

Designed to take photos of soon-to-be mothers who are at least 8 months pregnant, and explore my relationship with my twin brother who died at birth.

4”x5” camera made from Aluminium, Titanium, Acrylic, Formaldehyde and an infant human heart.

Check out his website for other contraptions:
http://www.boyofblue.com/

EVOLghost 12.29.2010 07:57 AM

Quote:

Originally Posted by sarramkrop
Maurizio Cattelan



 




 




 



coolest set of pics ever.....


but seriuosly...a.wesom.e thread.

Nefeli 06.12.2012 03:18 AM

http://www.adrianos.gr/en/paintings

only found about him few minutes ago..just saw a booklet of his 2006 exhibition and wow he has evolved.

Genteel Death 06.12.2012 04:40 AM

Quote:

Originally Posted by Nefeli
http://www.adrianos.gr/en/paintings

only found about him few minutes ago..just saw a booklet of his 2006 exhibition and wow he has evolved.


 

Good morning. This is beautiful. I found out last week that I have an exhibition in October. It may be shared with a photographer from New Zeland called Alexandra Simms. I think she has a website but I don't think she puts anything other than her commercial work on it.

Nefeli 06.12.2012 01:22 PM

thats great news darling.
pls have someone take loads of pics as you enjoy yourself there drinking cheap wine or smth. XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

Genteel Death 06.12.2012 01:59 PM

Cheers babe. Come visit near the time!

Genteel Death 06.13.2012 05:46 AM

Huang Yan
 


 

http://www.chinesecontemporary.com/huang_yan_cv.htm

Genteel Death 06.13.2012 05:49 AM

michael cina
 

http://creativejournal.com/articles/...a#.T9hwPVbngdB


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