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I fucking love troll pictures. They're so artful.
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It's all down to effort and originality. The more effort and originality an artist puts into his/her creation, the more respect they'll receive from the general public. How can anyone respect someone who creates what they deem a piece of art something the public can easily do themselves or have done in their everyday lives? |
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people often look at early abstract or expressionist work saying 'oh my kid could have done that' and it's quite wrong, maybe your kid could do that, but at the time those pieces were made AND EXHIBITED AS ART, it was a revelation. we are now used to seeing stuff that is not necessarily about craftmanship, but you need some kind of drive to be the first one to put a canvas flat on the ground and drip over it, like pollock did (he completely turned the normal way of painting: vertical, with control over the brugh strokes) |
i had no idea this would cause so much confusion.
first off, OF COURSE it's art... it's in a fucking art museum for christ's sake. Quote:
yup... and the title of this thread is one of those things.:rolleyes: Quote:
just because the artist claims it doesn't make it so... i learned this a long time ago when i tried to take a bite out of yoko ono's apple at the moma. i was thrown out before i got it to my mouth. i'm pretty certain the same would have happened if i'd tried to water the plants with the hose... Quote:
it breaks down no barriers, there was no interaction with the piece other than worshiping an object on a pedestal (even if there was no pedestal) and it was not playful or humorous in the slightest. riding in these teacup bumper cars was playful and humorous. i got to sit on 'art' and smash it into other 'art' .... very very gently or the museum guard would get mad... still, a lot of fun. ![]() eating thai food was playful and humorous. no object on a pedestal here. just social interaction in the raw. and free food.... same for the espresso/bean bag movie watching experience tiravanija gave me at the guggenheim, though i don't have photos of that one... ![]() and defacing a gordon matta-clark was a lot of fun, even if that's what it was there for. ![]() but just standing there and looking at a hose on the patio was about the boringest thing i've ever done in a museum.... ...so yeah, i still don't get it. |
at a certain point in this century art started to be more about art itself than about making a picture of something. all work had to be refreshing and original, which would mean the end of art, because as soon as you show the piece a second time it's not original anymore.
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I read a great book about i, written in the 40's about how modern art had perverted the love of beauty into the narcissitic love of the shaman/artist. Instead of praising the natural world around us with art, artists began praising themselves as sopme sort of "sacred" founts of "ART".
in the rennaissance times, even the highest of artists was just a glorified craftsman, a person for hire to the highest bidder, (or ANY bidder if times were rough) the idea that art was more dependent on the mind of the one making it than the actual resultng art piece is what twisted all this u[p I think. everyone wants their artists to be shamanhealers, to be natural-born-seers, instead of the hardworking, tedius, process oriented creator of art opbjects that is a more accurate representation of the true artist. . beauty comes from effort. |
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what i do get is that by resorting to excluding those in the audience who don't "get it," you've actually proved that the piece reinforces the elitist positioning of the 'art object' in society. so much for... you know... 'breaking down barriers' and all. i am also saying this in the nicest possible way. |
^ploesj
I agree, and I suppose that point where art began to concentrate on itself was the point when it really began to alienate a more general audience. |
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Do you remember the name of thast book by any chance? |
I will check out my stacks and post the name of the book.
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thanks!
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indeed, which is quite a bad thing, since this is a time when art could really be available for everyone... it used to be an elitist thing because only the rich people could afford education, books, artworks. now it's an elitist thing because the majority of the population thinks it's rubbish. |
the Elite have it in their best interest to destroy/ruin any elite item/endeavor that becomes accessible to the masses.
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indeed, because it's what makes them different.
ugh. and you know we're no better than that. would you still love your obscure noisebands as much if everyone had a poster of them up on their walls? i'm off to bed, art philosophy exam in the morning. wish me luck! |
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You go inside anyone's house where you live, ploesj, and you'll discover they own nothing by Pollock, or any abstract or expressionist work. It'll be more the art that appeals, is familiar, and is the least pretentious. The average person has never fallen for all that pseud hyperbole that only ever convinces imbecilic poseurs with more money than sense. |
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You must wave a yellow hose around some more before spraying it at floatingslowly again. i'm glad someone caught the humor in that.... |
Elitism is not bad, especially in the modern sense of setting yourself outside of the mass/homogenized experience.
"My kid could do that" is to art what "it's just a bunch of noise" is to "out" music. The rubes can have their experience, and they can look at me with the same disdain I have for them. Being secure in your tastes and being careful who your friends are is not bad. Dumbing down your life in an effort to be part of an increasingly idiotic and anti-intellectual culture is far worse than behaving in a way that some slack-jawed moron would call "elitist." |
What is on the wall of the room you're in?
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A framed promo poster for my first album from 1997. It was a gift from my mom.
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Just for you then, some pictures I didn't get to use today: ![]() ![]() ![]() |
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That sounds a damn sight more appealing than a painting by Pollock. |
I did once have a 6 foot by 6 foot abstract painting with a big rock bulging underneath its surface hanging on my living room wall, but I eventually gave it back to the artist who made it.
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I'm not bloody surprised. |
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The further problem for art in the twentieth century (in Europe at least) was that it tried to seperate itself from what it saw as a corrupt European cultural tradition and so was more about destroying the values of that tradition than anything else. This never really happened in the US, which at the time was more keen to find a footing within the arts establishment. Even now, the US has never really taken on the idea of an anti-art tradition with quite the same energy as it has been in Europe. The problem now of course is that the anti-art tradition has been largely absorbed by the art market itself. |
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Was that on your wall as well before you gave it back to the retard who created it? |
Glice! More troll pix please.
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Don't you mean more creations by retards for the amusement of retards? :rolleyes: |
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i've heard that said of SETI. Quote:
as for the LHC, science geeks make all kinds of fun of that shit... ![]() but since science geekery is far more of a closed system than art geekery, it's self-questioning is less visible... and as you pointed out, nobody else cares enough to pose the question. but didn't the controversy caused by Alan Sokal's quantum gravity hoax essentially revolve around the question "is that really physics?"? (i'm assuming that asking a question about a question requires two question marks, but i'm open to suggestions on that...) that said... it does get asked far more often of art. |
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I don't think the Sokal affair revolved around 'is that really physics?' so much as it did revolve around the question of verifying science's metonymical use outside of strictly scientific disciplines; I generally feel that Sokal was calling foul play on other people's trust. The reading group I'm in are covering the Sokal affair at our next meeting, and I've a feeling I'm going to chat a lot about Feyerabend and Sokal's breach of academic trust. Regarding your grammatical question - I understand that if the parenthesis or quotation ends with a question mark, there's no need for the closing grammatical affect in the dominant clause. Which is to say, in the above, the question mark in the quotation sufficed, no need for another one. I'm no expert in these matters though. |
arise, good sir knight.
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ps: it's obvious that temporal-backlash is causing supercolliders to fail prior to anything that would cause harm to the time-line.
right. a fucking bagel crumb, dropped by a bird. right. :rolleyes: |
I think what Sokal did was valid in its criticism of academic publishing. What I'm a bit uncomfortable with though was the way in which the whole affair was jumped on with an almost gleeful enthusiasm by those who wanted to use it as evidence of a certain fraudulance within academic departments. That kind of fraudulance does exist but it wasn't helpful to focus on a single instance without also looking at how departments have been forced to lower their standards and publish work that clearly isn't worthy just in order to secure the funding necessary for them to survive.
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So, you know, what makes music, music.. Some dumb fuck near me is making all kinds of noises with guitars and his band is really popular, but, I know it isn't music. It's shit. He is fucking bulshit. Only a pretentious idiot would call what he does, music. Wankers.
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thurston moore is playing a guitar near you! i'm so jealous....
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yeh thurston is a fucking hack. fuck him and his cash.
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