Sonic Youth Gossip

Sonic Youth Gossip (http://www.sonicyouth.com/gossip/index.php)
-   Non-Sonics (http://www.sonicyouth.com/gossip/forumdisplay.php?f=5)
-   -   but is it really art? i mean, come on... (http://www.sonicyouth.com/gossip/showthread.php?t=37035)

pbradley 01.04.2010 05:24 PM

I fucking love troll pictures. They're so artful.

 

Keeping It Simple 01.04.2010 05:24 PM

Quote:

Originally Posted by ploesj
sounds like you are referring to some artists in the fluxus movement who thought 'i am an artist so what i do is art' and documented everything they did in pictures, notes and film. (like Vautier) these days there is ai wei wei who takes about 700 pictures a day. it's a way of looking at life.

i've always thought that art was something someone made up or put together, and it moves people in a way. you could say a beautiful nature photograph isn't art because the landscape was already there, but the photographer put a frame around a part of it and made a choice, which is what makes it art. a lot of modern art is rubbish, but some pieces just manage to touch people in a certain way, and provoke very different reactions (think about neuman's 'who's afraid of red, yellow and blue': it's a large red canvas with some blue and yellow stripes on it but apparently it makes people so mad they want to destroy it)

there was a french sociologist, pierre bourdieu, he did a whole project about people's taste and then divided the general public in three classes: worker's class, middle class and higher class. worker's class tend to like things they recognise from their world and culture, they see art as decorative and functional (it has to match the other things in the house) and appreciate materials and craftmanship. the highest class are the 'trendsetters', they appreciate 'art' at its finest and would rather build a house around one painting than find a painting that matches the couch. those two classes are the only ones with their own taste, since all the middle class does is copy the high class so they won't be associated with the worker's class. the middle class has no taste of her own and is constantly worried about having the right things to fit in.

i'm not too sure if i fully agree on this since it's a survey from the late sixties and communication has expanded a lot since then... art and culture have become a lot more democratic.


It's all down to effort and originality. The more effort and originality an artist puts into his/her creation, the more respect they'll receive from the general public. How can anyone respect someone who creates what they deem a piece of art something the public can easily do themselves or have done in their everyday lives?

ploesj 01.04.2010 05:28 PM

Quote:

Originally Posted by Keeping It Simple
It's all down to effort and originality. The more effort and originality an artist puts behind his/her creation, the more respect they'll receive from the general public. How can anyone respect someone who creates what they deem a piece of art something the public can easily do themselves or have done in their everyday lives?


people often look at early abstract or expressionist work saying 'oh my kid could have done that' and it's quite wrong, maybe your kid could do that, but at the time those pieces were made AND EXHIBITED AS ART, it was a revelation. we are now used to seeing stuff that is not necessarily about craftmanship, but you need some kind of drive to be the first one to put a canvas flat on the ground and drip over it, like pollock did (he completely turned the normal way of painting: vertical, with control over the brugh strokes)

looking glass spectacle 01.04.2010 05:29 PM

i had no idea this would cause so much confusion.

first off, OF COURSE it's art... it's in a fucking art museum for christ's sake.

Quote:

Originally Posted by phoenix
There are lots of things in this world that contain more than just what is on the surface..



yup... and the title of this thread is one of those things.:rolleyes:

Quote:

Originally Posted by phoenix
I personally don't know this artist, but even looking quickly;

"Orozco's exploration of the use of video, drawings, and installations in addition to his photographs and sculptures, allows the audience's imagination to explore the creative associations between oft-ignored objects in today's world. His work permits a rarely allowed interaction between the artwork and the audience."



just because the artist claims it doesn't make it so... i learned this a long time ago when i tried to take a bite out of yoko ono's apple at the moma. i was thrown out before i got it to my mouth. i'm pretty certain the same would have happened if i'd tried to water the plants with the hose...

Quote:

Originally Posted by phoenix
Seemingly his intention is to break down physical/sociological barriers which can exist between artist work and audience, in a playful manner. I would say such a piece does that quite well.

He is asking you to look at the item in a different light. Putting something usually considered quite worthless into a place usually reserved for expensive, exclusive, elitist items. It is quite subtle though, because the item does not have a reserved plinth or space. It's playful.. humorous..



it breaks down no barriers, there was no interaction with the piece other than worshiping an object on a pedestal (even if there was no pedestal) and it was not playful or humorous in the slightest.

riding in these teacup bumper cars was playful and humorous. i got to sit on 'art' and smash it into other 'art' .... very very gently or the museum guard would get mad... still, a lot of fun.

 


eating thai food was playful and humorous. no object on a pedestal here. just social interaction in the raw. and free food.... same for the espresso/bean bag movie watching experience tiravanija gave me at the guggenheim, though i don't have photos of that one...

 


and defacing a gordon matta-clark was a lot of fun, even if that's what it was there for.

 


but just standing there and looking at a hose on the patio was about the boringest thing i've ever done in a museum....

...so yeah, i still don't get it.

ploesj 01.04.2010 05:29 PM

at a certain point in this century art started to be more about art itself than about making a picture of something. all work had to be refreshing and original, which would mean the end of art, because as soon as you show the piece a second time it's not original anymore.

Rob Instigator 01.04.2010 05:38 PM

I read a great book about i, written in the 40's about how modern art had perverted the love of beauty into the narcissitic love of the shaman/artist. Instead of praising the natural world around us with art, artists began praising themselves as sopme sort of "sacred" founts of "ART".

in the rennaissance times, even the highest of artists was just a glorified craftsman, a person for hire to the highest bidder, (or ANY bidder if times were rough)

the idea that art was more dependent on the mind of the one making it than the actual resultng art piece is what twisted all this u[p I think.

everyone wants their artists to be shamanhealers, to be natural-born-seers, instead of the hardworking, tedius, process oriented creator of art opbjects that is a more accurate representation of the true artist.
.

beauty comes from effort.

looking glass spectacle 01.04.2010 05:39 PM

Quote:

Originally Posted by phoenix
I'm not sure you should be following the arts if you really consider this an overly difficult piece to comprehend...

I say that in the nicest way possible..



what i do get is that by resorting to excluding those in the audience who don't "get it," you've actually proved that the piece reinforces the elitist positioning of the 'art object' in society. so much for... you know... 'breaking down barriers' and all.




i am also saying this in the nicest possible way.

demonrail666 01.04.2010 05:40 PM

^ploesj

I agree, and I suppose that point where art began to concentrate on itself was the point when it really began to alienate a more general audience.

demonrail666 01.04.2010 05:42 PM

Quote:

Originally Posted by Rob Instigator
I read a great book about i, written in the 40's about how modern art had perverted the love of beauty into the narcissitic love of the shaman/artist. Instead of praising the natural world around us with art, artists began praising themselves as sopme sort of "sacred" founts of "ART".

in the rennaissance times, even the highest of artists was just a glorified craftsman, a person for hire to the highest bidder, (or ANY bidder if times were rough)

the idea that art was more dependent on the mind of the one making it than the actual resultng art piece is what twisted all this u[p I think.

everyone wants their artists to be shamanhealers, to be natural-born-seers, instead of the hardworking, tedius, process oriented creator of art opbjects that is a more accurate representation of the true artist.
.

beauty comes from effort.


Do you remember the name of thast book by any chance?

Rob Instigator 01.04.2010 05:47 PM

I will check out my stacks and post the name of the book.

demonrail666 01.04.2010 05:47 PM

thanks!

ploesj 01.04.2010 05:48 PM

Quote:

Originally Posted by demonrail666
^ploesj

I agree, and I suppose that point where art began to concentrate on itself was the point when it really began to alienate a more general audience.


indeed, which is quite a bad thing, since this is a time when art could really be available for everyone... it used to be an elitist thing because only the rich people could afford education, books, artworks. now it's an elitist thing because the majority of the population thinks it's rubbish.

Rob Instigator 01.04.2010 05:50 PM

the Elite have it in their best interest to destroy/ruin any elite item/endeavor that becomes accessible to the masses.

ploesj 01.04.2010 05:52 PM

indeed, because it's what makes them different.

ugh.

and you know we're no better than that. would you still love your obscure noisebands as much if everyone had a poster of them up on their walls?

i'm off to bed, art philosophy exam in the morning. wish me luck!

Keeping It Simple 01.04.2010 05:54 PM

Quote:

Originally Posted by ploesj
people often look at early abstract or expressionist work saying 'oh my kid could have done that' and it's quite wrong, maybe your kid could do that, but at the time those pieces were made AND EXHIBITED AS ART, it was a revelation. we are now used to seeing stuff that is not necessarily about craftmanship, but you need some kind of drive to be the first one to put a canvas flat on the ground and drip over it, like pollock did (he completely turned the normal way of painting: vertical, with control over the brugh strokes)


You go inside anyone's house where you live, ploesj, and you'll discover they own nothing by Pollock, or any abstract or expressionist work. It'll be more the art that appeals, is familiar, and is the least pretentious. The average person has never fallen for all that pseud hyperbole that only ever convinces imbecilic poseurs with more money than sense.

looking glass spectacle 01.04.2010 05:57 PM

Quote:

Originally Posted by floatingslowly
hey-lo, I wus ches wonderink eef chu wood like to buy dees peenk hose I gots.


You must wave a yellow hose around some more before spraying it at floatingslowly again.


i'm glad someone caught the humor in that....

Savage Clone 01.04.2010 05:58 PM

Elitism is not bad, especially in the modern sense of setting yourself outside of the mass/homogenized experience.
"My kid could do that" is to art what "it's just a bunch of noise" is to "out" music. The rubes can have their experience, and they can look at me with the same disdain I have for them.
Being secure in your tastes and being careful who your friends are is not bad. Dumbing down your life in an effort to be part of an increasingly idiotic and anti-intellectual culture is far worse than behaving in a way that some slack-jawed moron would call "elitist."

Keeping It Simple 01.04.2010 06:00 PM

What is on the wall of the room you're in?

Savage Clone 01.04.2010 06:01 PM

A framed promo poster for my first album from 1997. It was a gift from my mom.

Glice 01.04.2010 06:02 PM

Quote:

Originally Posted by pbradley
I fucking love troll pictures. They're so artful.

 


Just for you then, some pictures I didn't get to use today:

 

 

 

Keeping It Simple 01.04.2010 06:03 PM

Quote:

Originally Posted by Savage Clone
A framed promo poster for my first album from 1997. It was a gift from my mom.


That sounds a damn sight more appealing than a painting by Pollock.

Savage Clone 01.04.2010 06:04 PM

I did once have a 6 foot by 6 foot abstract painting with a big rock bulging underneath its surface hanging on my living room wall, but I eventually gave it back to the artist who made it.

Keeping It Simple 01.04.2010 06:05 PM

Quote:

Originally Posted by Savage Clone
I did once have a 6 foot by 6 foot abstract painting with a big rock bulging underneath its surface hanging on my living room wall, but I eventually gave it back to the artist who made it.


I'm not bloody surprised.

Savage Clone 01.04.2010 06:07 PM

 

demonrail666 01.04.2010 06:09 PM

Quote:

Originally Posted by ploesj
indeed, which is quite a bad thing, since this is a time when art could really be available for everyone... it used to be an elitist thing because only the rich people could afford education, books, artworks. now it's an elitist thing because the majority of the population thinks it's rubbish.

I see what you mean, and I also agree with Looking Glass Spectacle's point about the irony of those kinds of art that're designed to break down barriers but which often build even higher ones as a result. The problem really kicked in I suppose after WW1, when form itself became politicised, and that, as a way of 'protecting' art from the ravages of the market, it adopted a deliberately 'difficult' style.

The further problem for art in the twentieth century (in Europe at least) was that it tried to seperate itself from what it saw as a corrupt European cultural tradition and so was more about destroying the values of that tradition than anything else. This never really happened in the US, which at the time was more keen to find a footing within the arts establishment. Even now, the US has never really taken on the idea of an anti-art tradition with quite the same energy as it has been in Europe. The problem now of course is that the anti-art tradition has been largely absorbed by the art market itself.

Keeping It Simple 01.04.2010 06:10 PM

Quote:

Originally Posted by Savage Clone
 


Was that on your wall as well before you gave it back to the retard who created it?

Savage Clone 01.04.2010 06:11 PM

Glice! More troll pix please.

Glice 01.04.2010 06:13 PM

 

Glice 01.04.2010 06:13 PM

 

Keeping It Simple 01.04.2010 06:15 PM

Quote:

Originally Posted by Savage Clone
Glice! More troll pix please.


Don't you mean more creations by retards for the amusement of retards? :rolleyes:

Glice 01.04.2010 06:21 PM

 

looking glass spectacle 01.04.2010 06:37 PM

Quote:

Originally Posted by Glice
Is it something particular to the nature of art that you wouldn't ever say 'well, it's not really astronomy, is it?'



i've heard that said of SETI.

Quote:

Originally Posted by Glice
I tend to feel that, while there's clearly a lot of fraudhattery in the (visual, gallery-based) art world, I can't think of another field which comes under so much scrutiny by people who largely don't actually care. By which I mean, I almost never read any articles complaining that the LHC (or whatever) are a fatuous and superfluous use of money (it probably isn't, I neither know nor care) but people seem to think that galleries they haven't visited are fair game for accusations of emperor's new clothes.

Which isn't to say I don't sympathise with your opinion I just... well, it's odd is all.


as for the LHC, science geeks make all kinds of fun of that shit...

 


but since science geekery is far more of a closed system than art geekery, it's self-questioning is less visible... and as you pointed out, nobody else cares enough to pose the question.

but didn't the controversy caused by Alan Sokal's quantum gravity hoax essentially revolve around the question "is that really physics?"?

(i'm assuming that asking a question about a question requires two question marks, but i'm open to suggestions on that...)

that said... it does get asked far more often of art.

greedrex 01.04.2010 06:38 PM

Quote:

Originally Posted by Keeping It Simple
Don't you mean more creations by retards for the amusement of retards? :rolleyes:

 

Glice 01.04.2010 06:55 PM

Quote:

Originally Posted by looking glass spectacle
but didn't the controversy caused by Alan Sokal's quantum gravity hoax essentially revolve around the question "is that really physics?"?

(i'm assuming that asking a question about a question requires two question marks, but i'm open to suggestions on that...)


I don't think the Sokal affair revolved around 'is that really physics?' so much as it did revolve around the question of verifying science's metonymical use outside of strictly scientific disciplines; I generally feel that Sokal was calling foul play on other people's trust. The reading group I'm in are covering the Sokal affair at our next meeting, and I've a feeling I'm going to chat a lot about Feyerabend and Sokal's breach of academic trust.

Regarding your grammatical question - I understand that if the parenthesis or quotation ends with a question mark, there's no need for the closing grammatical affect in the dominant clause. Which is to say, in the above, the question mark in the quotation sufficed, no need for another one.

I'm no expert in these matters though.

floatingslowly 01.04.2010 06:58 PM

arise, good sir knight.
 

^^^art

floatingslowly 01.04.2010 07:01 PM

ps: it's obvious that temporal-backlash is causing supercolliders to fail prior to anything that would cause harm to the time-line.

right. a fucking bagel crumb, dropped by a bird. right.

:rolleyes:

demonrail666 01.04.2010 07:09 PM

I think what Sokal did was valid in its criticism of academic publishing. What I'm a bit uncomfortable with though was the way in which the whole affair was jumped on with an almost gleeful enthusiasm by those who wanted to use it as evidence of a certain fraudulance within academic departments. That kind of fraudulance does exist but it wasn't helpful to focus on a single instance without also looking at how departments have been forced to lower their standards and publish work that clearly isn't worthy just in order to secure the funding necessary for them to survive.

phoenix 01.04.2010 07:09 PM

So, you know, what makes music, music.. Some dumb fuck near me is making all kinds of noises with guitars and his band is really popular, but, I know it isn't music. It's shit. He is fucking bulshit. Only a pretentious idiot would call what he does, music. Wankers.

looking glass spectacle 01.04.2010 07:13 PM

thurston moore is playing a guitar near you! i'm so jealous....

phoenix 01.04.2010 07:21 PM

yeh thurston is a fucking hack. fuck him and his cash.


All times are GMT -5. The time now is 06:50 AM.

Powered by vBulletin Version 3.5.4
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
All content ©2006 Sonic Youth