And the ONE SINGLE TIME I'M ACTUALLY ENTHUSIASTIC ABOUT GIVING REP THE FUCKER WON'T LET ME.

Bum.

Never mind. I don't know whether to thank you or not for reminding me of the name of that Helen Love song which has, of course, sent it running through my mind instantly and loudly if such a thing is possible.

The artwork is very bisish isn't it?Graphic designers weren't working hard in mid 90s.

I think every lo-fi indie pop record was obliged by law to have a manga-type influence. I think they only got rid of that law last year.

The ' manga-modern comic-video games' graphics are the worst thing to have happened to record sleeves since the start of sleeve designing.They cheapen the music and make for nonsense at describing what might be on the record itself.

• Ash
• The Boo Radleys
• Blur
• Cast
• Dodgy
• Echobelly
• Elastica
• Gene
• The Gyres
• Heavy Stereo
• Laxton's Superb
• Marion
• Menswe@r
• Northern Uproar
• Oasis
• Powder
• Pulp
• The Real People
• Shed Seven
• Sleeper
• Suede
• Supergrass
• These Animal Men
• Thurman

i never liked anyone on that list at all. i never got into britpop at all. i despised it. thats not me thinking i am some musically better person and i wasnt into the grunge nirvana metal korn crowd either.

when i think back to that music it really send a shiver down my spine and not in a good way.

i did meet someone who had devoted her life to ultrasound and was writing a fanzine entirely based on them. she was very depressed.

As bad as this?

FUCK ME THEY'RE SELLING IT FOR £125! I HAVE A COPY! I SHOULD MAKE SOME MONEY!

I had the motherfucking promo tape of that motherfucking record.What is wrong with me?EH?

I can't criticise. To be fair, I think we were all hoodwinked by Local Boy in the Photograph (which I also have) which was, in fairness, and as much as it pains me, a fucking ace record. The first LP was gack though.

I'm going to get my box of 7"s from that era and see how much they're worth. I'm sure there's some rabid Secret Goldfish fan out there somewhere who wants my 7"s (oo-err).

I drew the line when stereophonics cropped up.There was wrongness in their valley rock that i didn't think existed at all.I'd give a leg to a wheelchair user to remember what secret goldfish sounded like.

Not that hot. A bit jangly, a bit faint.

I'm looking at this site now: http://eil.com/shop and according to the silly prices they're selling things at, I've got a hell of a lot of money in my 7"s box. Which is quite exciting.

whatever happened to che records?

i don't think there's much collector demand for 90s uk indie pop is there? i was looking at that stuff recently on amazon and it was all dirt cheap early delgados singles and whatnot.

I'd be surprised myself to be honest.Never say never in record collecting.

I suspect it's one of those cases where you want to sell your singles while the band are enormous. My unfortunate glaring wrongness as a teenager has resulted in some quite valuable 7"s. Stereophonics, Feeder, Placebo (although I still maintain Placebo's first album is great). Remember the golden days of Fierce Panda? I think Supergrass should make a million selling record again so my 7" of theirs goes up in value. An Elastica reuinion/ revival wouldn't go amiss either, especially as they were ahead of the game with the whole ripping off Wire thing that's in vogue now.

I think Che stopped a few years ago. There was a very short-lived off shoot, Rocket Girl. Lots of droney space-rock, just before it became post-rock. I have a wonderful Spacemen 3 tribute on that label. Low's version of 'Lord, can you hear me?' is among my favourite of their songs.

Shame Chemikal Underground stopped putting out good things sometime after they dropped Arab Strap.

I might be wrong but Rocket Girl is still doing business?Urusei Yatsura were on Che weren't they?Wultzer Jukebox was another label that i used to admire a lot.

urusei yatsura certainly put some records out on che.

maybe in 15 years there'll be a resurgence of interest in 90s indie 7"s... although i doubt it.

Again, Wurlitzer Jukebox, they were putting out a load of the space-y stuff that become post-rock. AMP/ amp were on there, no?

Urusei were on Che for their first two albums (the utterly crucial 'We are...' and the also excellent 'Slain by...'. They had an ep on Beggars Banquet, who folded about a week afterwards, I think they then had record company gay-ness for a few years, and then they put out the exceptionally overlooked 'Everybody Loves...' on their own Oni label.

Other notable entries in their discography include the ramshackle lo-fi affair that was 'All Hail...' ep which was on...er...their own Superhero records, I think.

Yeah. I have their discography commited to memory. Get me.

I have a double album by Amp but i've never been able to get into it as much as i'd like.For some reason everytime i put it on it reminds me of a boring version of the more spaced-out moments by Telstar Ponies(early singles by this band were gems to behold).

my favourite urusei yatsura release was the plastic ashtray EP. i scrawled urusei yatsura on my bedroom wall (at my mum's house) when i was about 15, it's still there.