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les enfant du paradis-9/10
la passion de jeanne d'arc- 10/10 |
The beauty of watching "Inglourious Basterds" on DVD is you get to see the full feature of "Nations Pride", the Joseph Goebbel's directed propaganda movie. Whilst watching it, I was reminded a bit of the firefight scene from "Dr Strangelove".
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NR, why'd you dot at me? I think Ellen Page is the most beautiful girl in the world, easily.
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![]() FINAL FLESH - 10/10. I know I already rated this, I guess it's getting a dvd release by Drag city?! Anyway, it's an avant-porno by pffr (wonder showzen, xavier, delocated). Truely mindblowing, as is everything they do. ![]() king lear - 10/10 ![]() sisters - 8/10 ![]() mutual appreciation - 5/10 |
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Les Enfants du Paradis is one of my all-time fave movies. I have seen it 4-5 times and everytime I get more and more out of it. |
Drunken Angel
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Here's my Macbeth review for the interested.
The very least that can be said of Roman Polanski’s Macbeth is that it leaves an impression. It is the most intense and bloody Shakespeare movie that I have ever seen, but the violence is never cheap or meaningless. From the opening scene of the witches burying a severed hand holding a dagger to the pessimistic ending, the film is unrelentingly bleak. However, the bleakness suits the play and helps to deliver the full power of the tragedy. Every piece of the film works together in order to create a powerful, unrelenting, and awesome experience. It would be easy to dismiss the film’s violence as a reaction to the death of Polanski’s wife, Sharon Tate, but that would do the movie a disservice by greatly oversimplifying its significance. Murder is by its definition an ugly act, so it is appropriate that the movie doesn’t pull any punches. By doing so it shows it not only in its full cruelty and destructiveness, but also how it actually is. The film aims for realism, and the brutal deaths are portrayed without sanitation or covering up. Violence is also no small part of the play itself; it is both what starts Macbeth’s rise to power and what ends it. Polanski makes this a key theme in his movie by placing every death, both big and small, front and center. The burial of the hand at the beginning implies violence before the movie starts and Donalbain approaching the witches’ lair at the end hints that the circle of bloodshed is far from ending. Malcolm, who took back the crown by force, is perhaps sentenced to the same fate as his father while Donalbain may be set up to be the next Macbeth. Violence continuously begets violence in what may be a never ending cycle. Even when Macbeth is killed, the parading of his severed head prevents any feeling of elation at the resolution. Even in the end, the nobility is not noble and there are no heroes. Setting also plays a large part in Macbeth. Polanski’s background as a horror director gives him the tools to perfectly set the seen.The film opens with a shot of the endless, empty scenery of a Scottish beach, which sets the visual tone for the rest of the film; grey, dark and amp. It’s hard to imagine a better setting for a story of betrayal and madness. Not only does it look like Scotland, it soaks the film in melancholy and gloom. There are a few scenes where sunlight creeps over the Scottish hills, but these primarily serve only to show how dark and gray the rest of the film is. Like the weather in Othello that reflects disorder of Venice, this scenery reflects the upset order the Great Chain of Being. As a film, there is access to bigger and better sets than a play is capable of having, but there is also the advantage of music. The music, which is often atonal and eerie, also compliments the film well and could almost pass as the soundtrack to a horror movie. At the end of the film, it cannot be said that it is a tragedy of character, but instead a tragedy of circumstance. When standing above Duncan, Macbeth hesitates and begins to step away, but Duncan’s unexpected awakening forces him to murder. Given the scenes with the witches, it’s possible that the entire thing was out of his control the whole time and Macbeth was fated for violence and doom. Do the witches predict what is to come or only what may be? It is not said. Randal Robinson states that Polanski’s Macbeth is the tortured child. In his society, the strong penetrate the weak with demands for unremitting obedience, for selflessness, for service, for suffering, for sacrifice of the body. Rebelling, the subjects kill their aggressors and become aggressors they hate. Having been trained to believe they ought to be victims, how can they not want to kill themselves? (108). If this is the case, then Macbeth is not tragedy of character because character is already destroyed when the play starts. It is then the circumstances that cause this that provide the real tragedy of the film. When all is said and done, Roman Polanski’s Macbeth is a unique and powerful adaptation of the play. It is perhaps the most haunting, visceral, and unsettling adaptation of one of Shakespeare’s works and because of this it is also one of the best. The film’s brilliant execution and unwavering existentialism make it memorable and deeply affecting film, although not one for the squeamish. |
not a movie, the season finale of sons of anarchy fucking ruled
that shit's insane ![]() awesome rent it |
WarGames came on yesterday and stopped everything I was doing to sit and watch it. Fuck I love that movie.
~Jeremy~ |
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I meant it in agree-ance. Sort of a 'quoted-for-truth' thing. |
ohhh
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![]() 8/10 loved the 'acting' . so real. no melodrama. gritty, good stuff |
^They sure don't glorify the mob in that one.
To hell with italian designer suits when you can wear hawaiian floral shirts and german pantoffels with white socks. Fucking Neapolitan peasants, I tell you! The director went into hiding shortly after the film premiered. Great movie. |
![]() kinda plain imo, not that great..nice lighting. ![]() same for this, I don't think it has anything special (besides a pair of nice eyes) |
![]() 7.5/10 |
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ever since I saw Hard Candy I think she rules. |
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wha????? |
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My favorite line: near the beginning, the tv news is on in the background and the announcer is talking about an explosion at a prophylactic recycling factory. |
I'm probably like the second to last person on earth to see Trainspotting. And my first instinct was probably right--I didn't need to see this movie.
Funny, yeah. But disturbing. When you first see the baby, you know nothing good is going to happen but when it does--that really got to me. Kinda like The Deerhunter, great movie, very well made but just too disturbing for my delicate sensibilities. |
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