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yeah my problem is more that these singles end up sort of forgotten in a sense. I would have loved for Kanye to release all those GOOD Friday tracks as a compilation album back then. Y'know? That sort of thing. I don't mind stray singles if they end up eventually compiled.
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Beatles did this with Penny Lane and Strawberry Fields..... then threw them into Magical Mystery Tour
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All of the following songs (and more) were originally released either as standalone singles, b-sides, or singles that were later attached to an album in just the UK, just the US, or as completely different songs. From Me To You Thank You Girl She Loves You She's A Woman Love Me Do This Boy I'll Get You I Call Your Name I Want To Hold Your Hand The Inner Light The Ballad Of John And Yoko Old Brown Shoe Hey Jude Lady Madonna Revolution Get Back Day Tripper We Can Work It Out Paperback Writer I Feel Fine Yes It Is I'm Down Rain Don't Let Me Down Also "Free as a Bird" and "Real Love" - both technically non-album tracks that were reworked for one of the Anthologies. "Real Love" first appeared on the Imagine soundtrack. So, also not technically an album. It gets pretty confusing with the different line-ups for the UK and US versions of the albums, and with the UK albums that just never appeared in the US, or did so under a different name with a different track list. I mean, just check Wikipedia. |
I always hated trying to make sense of their discography before the US and UK albums were the same.
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Yeah, I had some serious difficulty with it when they started selling the UK versions here. I grew up listening to my dad's LP's from the '60s. There really is no simple way to sum up how complicated things got over the years with Capitol VS. Parlaphone and UA. But this quote from Ultimate Hard Rock's Beatles UK/US album guide at least shows how it started: By the time the Beatles reached America, their record company, Parlophone/EMI, had already released two albums and a handful of singles in their native England... U.S. albums rarely included more than 12 songs (possibly out of fear of fidelity loss due to “groove-cramming”), and all of the U.K. albums contained 14 tracks. Then there was the matter of the non-LP singles, a practice common in the U.K. but not in the U.S. Capitol needed a place to put hits like ‘I Want to Hold Your Hand’ and ‘She Loves You.’ In those first few years, the Beatles operated under a breakneck schedule of a new single every three months and a new LP every six months... Complicating matters even more was the issue of ‘Introducing . . . the Beatles,’ a near-repackaging of their U.K. debut, ‘Please Please Me,’ which was licensed to Vee-Jay Records when Capitol passed on it in the summer of 1963. As part of a lawsuit settlement, the rights to those songs were transferred to Capitol in October 1964 – a year and a half after they were released overseas. When the Beatles first issued their entire catalog on CD in 1987, they decided to streamline their records once and for all, and only the original U.K. albums were released (except for ‘Magical Mystery Tour'; see below for explanation). While this may have confused American fans who couldn’t get ‘Beatles VI’ or bought ‘Rubber Soul’ expecting to hear it begin with ‘I’ve Just Seen a Face’ only to get ‘Drive My Car’ instead, it ended their messy catalog headache for good. Until 2004 that is, when Capitol put out a box of the group’s first four U.S. records, replicating track listings and artwork, and followed it up two years later with the next four albums. And now there’s ‘The U.S. Albums,’ which compiles Capitol’s 12 LPs (including the first CD appearance of ‘The Beatles Story,’ a two-record cash-grab from 1964 made up of interviews and press conferences) and the soundtrack to ‘A Hard Day’s Night,’ which originally came out on United Artists. We’ve compiled this guide to the Beatles’ U.S. albums, showing how their label assembled them from what was available. *headache* |
ugh. That. Yeah. Such a horrible mess.
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http://pitchfork.com/news/63216-mart...ah-diss-video/
This is so stupid.. and it's all RZA's fault. That's what happens when you sell out and do dumb shit for money. |
yeah it's a stupid mess.
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Oh my fucking God.
I never thought I'd say this, but FUCK RZA. He was like a holy man to me for years and years and years, and he was behind the boards and the mic on four of the best hip-hop albums ever made. The influence of the Wu-Tang Clan on me has been tremendous, and I've been a fan since the beginning. But... Jesus Christ man... FUCK. RZA. Side note: Ghost is the only part of the Clan that is still relevant in modern hip-hop. I still have nothing but love for Meth, Deck, GZA and Raekwon (who used to be the Clan's all-star talent, but now seems to be satisfied with releasing mediocre material). Let's face it, there is no Wu-Tang Clan anymore. There's just Ghostface. He's the only one still trying. And he continues to try, despite the occasional flop. Shkreli is going to end up in prison. We're never going to hear the album. Rza's sold his soul and A Better Tommorrow was like the Wu-Tang equivalent of Squeeze. (Much better than Squeeze, but you take my meaning.) I can't believe that just four years ago I was actually stressing about the fact that I was starting to prefer Kanye to the Clan. In the (adapted) immortal words of John Lennon: "I don't believe in [Wu-Tang] I just believe, in me... [Ghostface] and me ... The dream is over." |
Cole just dropped a live version of his last album and it's great, way better than the original: https://itunes.apple.com/us/album/fo...m/id1078337231
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woah nice. I liked that album a lot. The live one is on Spotify. Will check it out. |
"RZA Of Wu-Tang Clan Says Black People Should STOP SCARING COPS and DRESS PROPERLY!!"
https://www.youtube.com/watch?v=wsFmlJ0N6H8 Yeah, fuck RZA. |
so you guys do not like Rich Homie Quan?
I like the mumbles.... |
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Depends... I liked some of the early projects he did with Young Thug, like Tha Tour pt.1, and he did a tape with Gucci that was alright, but I haven't heard anything recently that captured or held my interest. Really, I have no freaking idea what he's up to these days, so I have no idea whether or not I like him now. Probably not. I'm disliking a lot of shit right now. |
Tha Tour Pt. 1 was great. Kinda lost interest in both afterwards.
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Thug drops a hot song every now and then, but his lack of quality control is the reason I can't be bothered to keep up anymore.
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Yeah. I was super stoked about his studio debut (you remember that? When we were excited about that wank?) but the first sign of trouble was when he wanted to take a shit on Wayne by calling it The Carter 6. I was like, what the fuck? There's no rapper Thug is more indebted to than Wayne at his schizophrenic, scatological peak! Then he calls it "Barter 6" (which means... nothing) and pisses out rainbows on the cover. He got so much attention for that stunt, that nobody noticed how dismally terrible the album was! Now Pitchfork sucks on his dick so hard it's insufferable. Acting like he's the Salvador Dali of hip-hop. He's just another one of Birdman's bitches, and he's getting no love from me. |
Young Thug I have enjoyed in small doses as a guest on other's tracks, but his own tracks are dull
I can't get down in the DM out my head though.... (diff guy, I know) facetime me that pussy, snapchat me that pussy, if it's cool.... I love da 'Gram I love da 'Gram, I'm addicted to it I know I am.... |
what a world to live in, If I was 19 years old today? sheeeiiittt.......
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pitchfork writers are mostly trust fund white kids. Just like the Saturday Night Live writers....
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I feel like the Young Thug worshipping is almost ironic. He's a novelty act.
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I don't even see him as an artist because his mixtapes are a random compilation of songs with no direction.
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Haven't heard the live yet, but I was pleasantly surprised by the original album. At best, Born Sinner was just a bit of ear candy for when I was out of ideas about what to listen to. It was a pleasant but derivative album, and while it made for some good radio hip hop, it really wasn't my thing. He didn't say or do anything that Kanye didn't do better on his first two albums. But 2014 Forest Hills Drive was an authentic and genuinely GOOD album. Right off the bat, it sounded so much more developed and mature than Born Sinner. So, I really dug the studio version. Not usually super into live rap albums, but I'll check out the new one for sure. |
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Not to them. In one spread they had this big psychedelic graphic of thug with a skull face surrounded by swirls and acid imagery.... Titled the "(something something) World of Young Thug" (or something). It was like the kind of thing you'd see in a Rolling Stone article about 30 years of the Flaming Lips. In fact, that's exactly what I thought of. It was so reverent, with this "this guy's the real deal of musical experimentation" vibe. Again, like something from Fearless Freaks. Or a Zappa piece. As a Flaming Lips fanatic and Zappa lover, I was insulted. |
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As if we all haven't seen Lil Wayne going through a drugged out phase 10 years ago and experimenting with his sound.. but Wayne sounded coherent and put hard work on his craft. Thugger said he doesn't even write down his lyrics and makes every song in 5 minutes. |
@ Rob
Kevin Gates dropped his debut album today, titled "Islah". Gonna listen soon. |
sweet. He has like ten years into this huh? did it old school. Kevin Gates hustled to build rep in Baton Rouge LA. then greater LA. then Houston and the dirty south. way to go.
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http://kevingat.es/?p=4211
I left a copy of my new album – under the name #islah at – Hotel ZAZA IN #Houston – the first person get there and get it it’s yours – I love you all -May Peace Be Upon You ❤️ |
Great short interview with him: https://www.youtube.com/watch?v=yQLc7J92VQM
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Well, to be fair both Jay Z and Kanye have made similar claims, and it sounded super badass with respect to them (especially Jay- the idea that the Black Album was just freestyled blows my mind). So maybe this is just our biases coming into play. But yeah that sounds hella dumb that Thug does that. He claims to not be familiar with Jay. Says that's just not his era. ... what does that mean, exactly? Is he like nine years old? |
You're absolutely right, but Jay has photographic memory and Kanye is a perfectionist.. Thug sucks when he tries to freestyle on radio shows which makes me assume he might have a writer. But who knows.
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Dude... Being Young Thug's ghost writer would *literally* be the easiest job in the world. In fact, I don't even buy that anyone would employ someone to write such shit when they could just as easily pay someone to write well. Now, Drake having a writer I almost buy. Drake's lyrics are like one-liners, and they have a stand-up comic's timing. But I think Drake is just a trained performer, and is capable of pulling off that kind of thing on his own. Acting and singling lessons are definitely things I can see him paying for on a regular basis. But I don't get it... If young thug has a ghost writer, why is ANYONE above the age of twelve unemployed in this country? You know? |
Jay freestyles like a monster. I think he might just be done with rapping at this point, but in his prime, he had the ferocity of an underground rap battle King. He was all ambition. I truly think of him as the Muhammad Ali of hip-hop.
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Kanye to Wiz Khalifa:
"So you own waves now?? I own your child!!!" Totally reasonable, proportionate response. Funny as hell though. I don't care how much of an ass he makes of himself, Kanye is and always will be infinitely more charming and memorable than MOR rappers like Wiz. Watching that Twitter feud was like watching a low-wattage light bulb try to duke it out with the sun. |
Kanye West to appear on SNL this weekend, y'all.
I'm saying a lot of things right now! |
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I like Wiz though. He's not super talented. But I like his flow.
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