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-   -   Do you think Jimi Hendrix is the best guitarist ever? (http://www.sonicyouth.com/gossip/showthread.php?t=13657)

demonrail666 06.06.2007 06:57 PM

Quote:

Originally Posted by atari 2600
This thread is filled with Hendrix-bashing.


Not liking someone quite as much as you do hardly qualifies as 'bashing'.

atari 2600 06.06.2007 07:00 PM

typical irreverence

that's it

keep the lie going

keep going back to what you think your strong point may be

typical ignorance

!@#$%! 06.06.2007 07:05 PM

Quote:

Originally Posted by atari 2600
typical irreverence


 

demonrail666 06.06.2007 07:07 PM

Quote:

Originally Posted by atari 2600
typical irreverence


Prat

!@#$%! 06.06.2007 07:14 PM

 

!@#$%! 06.06.2007 07:16 PM

You must know, then, that the above-named gentleman whenever he
was at leisure (which was mostly all the year round) gave himself up
to reading books of chivalry with such ardour and avidity that he
almost entirely neglected the pursuit of his field-sports, and even
the management of his property; and to such a pitch did his
eagerness and infatuation go that he sold many an acre of
tillageland to buy books of chivalry to read, and brought home as many
of them as he could get. But of all there were none he liked so well
as those of the famous Feliciano de Silva's composition, for their
lucidity of style and complicated conceits were as pearls in his
sight, particularly when in his reading he came upon courtships and
cartels, where he often found passages like "the reason of the
unreason with which my reason is afflicted so weakens my reason that
with reason I murmur at your beauty;" or again, "the high heavens,
that of your divinity divinely fortify you with the stars, render
you deserving of the desert your greatness deserves." Over conceits of
this sort the poor gentleman lost his wits, and used to lie awake
striving to understand them and worm the meaning out of them; what
Aristotle himself could not have made out or extracted had he come
to life again for that special purpose. He was not at all easy about
the wounds which Don Belianis gave and took, because it seemed to
him that, great as were the surgeons who had cured him, he must have
had his face and body covered all over with seams and scars. He
commended, however, the author's way of ending his book with the
promise of that interminable adventure, and many a time was he tempted
to take up his pen and finish it properly as is there proposed,
which no doubt he would have done, and made a successful piece of work
of it too, had not greater and more absorbing thoughts prevented him.

Many an argument did he have with the curate of his village (a
learned man, and a graduate of Siguenza) as to which had been the
better knight, Palmerin of England or Amadis of Gaul. Master Nicholas,
the village barber, however, used to say that neither of them came
up to the Knight of Phoebus, and that if there was any that could
compare with him it was Don Galaor, the brother of Amadis of Gaul,
because he had a spirit that was equal to every occasion, and was no
finikin knight, nor lachrymose like his brother, while in the matter
of valour he was not a whit behind him. In short, he became so
absorbed in his books that he spent his nights from sunset to sunrise,
and his days from dawn to dark, poring over them; and what with little
sleep and much reading his brains got so dry that he lost his wits.
His fancy grew full of what he used to read about in his books,
enchantments, quarrels, battles, challenges, wounds, wooings, loves,
agonies, and all sorts of impossible nonsense; and it so possessed his
mind that the whole fabric of invention and fancy he read of was true,
that to him no history in the world had more reality in it. He used to
say the Cid Ruy Diaz was a very good knight, but that he was not to be
compared with the Knight of the Burning Sword who with one back-stroke
cut in half two fierce and monstrous giants. He thought more of
Bernardo del Carpio because at Roncesvalles he slew Roland in spite of
enchantments, availing himself of the artifice of Hercules when he
strangled Antaeus the son of Terra in his arms. He approved highly
of the giant Morgante, because, although of the giant breed which is
always arrogant and ill-conditioned, he alone was affable and
well-bred. But above all he admired Reinaldos of Montalban, especially
when he saw him sallying forth from his castle and robbing everyone he
met, and when beyond the seas he stole that image of Mahomet which, as
his history says, was entirely of gold. To have a bout of kicking at
that traitor of a Ganelon he would have given his housekeeper, and his
niece into the bargain.

In short, his wits being quite gone, he hit upon the strangest
notion that ever madman in this world hit upon, and that was that he
fancied it was right and requisite, as well for the support of his own
honour as for the service of his country, that he should make a
knight-errant of himself, roaming the world over in full armour and on
horseback in quest of adventures, and putting in practice himself
all that he had read of as being the usual practices of
knights-errant; righting every kind of wrong, and exposing himself
to peril and danger from which, in the issue, he was to reap eternal
renown and fame. Already the poor man saw himself crowned by the might
of his arm Emperor of Trebizond at least; and so, led away by the
intense enjoyment he found in these pleasant fancies, he set himself
forthwith to put his scheme into execution.

demonrail666 06.06.2007 07:21 PM

Don't worry Atari. You're actually quite cute when you get mad and start having tantrums.
 

pbradley 06.06.2007 10:28 PM

Wow, I'm gone for a bit and the comedy ensues.

Especially the wikipedia link the the philosophy of aesthetics as an answer to what is talent objectively. I'm sorry, but if you know anything about the philosophy of aesthetics you would know that there isn't any one objective answer. Hell, that's the very reason that it warrents a philosophy. Let me clue you in on an industry secret; philosophy only exists around issues where people know fuck all about it (theology, phenomenology, etc.) Please read the "post-modern" section of that link, particularly.

Dead-Air 06.07.2007 01:42 AM

I like Thurston and Lee better when it comes to rock electric guitar, but Jimi was certainly great in his day. Derek Bailey could arguably be considered a "better" guitarist too on the other end of things. Of course these qualitative rankings are ridiculous to begin with. Sure do love "1983, A Merman I Should Turn To Be" though...

sonicl 06.07.2007 01:43 AM

Blixa Bargeld is a considerably less technically able guitarist than Hendrix, but I'd rather listen to him any day.

atsonicpark 06.07.2007 04:31 AM

i think paul leary of the butthole surfers is more influential than jimi hendrix.

pbradley 06.07.2007 04:48 AM

^ more influential to me, at least

there's a time for drugs and there's a time to be sane and jimi hendrix makes love to marilyn's remains!!

Rob Instigator 06.07.2007 10:13 AM

Quote:

Originally Posted by swa(y)
i dont know man...i always kinda thought no trend was talented....shit..even flipper.

what they lacked in ability they made up for in creativity. least, i thought/think they are creative.

and to me...thats qualifies as talent.


creativity is NOT talent
a talented carpenter is not the same as a creative carpenter.

Talent is specific to a skill. the same applies for music.

a person with talent but no creativity can still pull off a good musical performance of johnny B Goode for example.
a person with creativity but no talent cannot do the same, although he could play you a crazy make-em-up that kinda sounded like johnny b goode. it would not be the same.



everyone in sonic youth has admitted that they are NOT the most talented guitarists, but, like I said, they make up for it with inventiveness and creativity.
Jimi Hendrix had BOTH

Rob Instigator 06.07.2007 10:19 AM

Quote:

Originally Posted by !@#$%!
You must know, then, that the above-named gentleman whenever he
was at leisure (which was mostly all the year round) gave himself up
to reading books of chivalry with such ardour and avidity that he
almost entirely neglected the pursuit of his field-sports, and even
the management of his property; and to such a pitch did his
eagerness and infatuation go that he sold many an acre of
tillageland to buy books of chivalry to read, and brought home as many
of them as he could get. But of all there were none he liked so well
as those of the famous Feliciano de Silva's composition, for their
lucidity of style and complicated conceits were as pearls in his
sight, particularly when in his reading he came upon courtships and
cartels, where he often found passages like "the reason of the
unreason with which my reason is afflicted so weakens my reason that
with reason I murmur at your beauty;" or again, "the high heavens,
that of your divinity divinely fortify you with the stars, render
you deserving of the desert your greatness deserves." Over conceits of
this sort the poor gentleman lost his wits, and used to lie awake
striving to understand them and worm the meaning out of them; what
Aristotle himself could not have made out or extracted had he come
to life again for that special purpose. He was not at all easy about
the wounds which Don Belianis gave and took, because it seemed to
him that, great as were the surgeons who had cured him, he must have
had his face and body covered all over with seams and scars. He
commended, however, the author's way of ending his book with the
promise of that interminable adventure, and many a time was he tempted
to take up his pen and finish it properly as is there proposed,
which no doubt he would have done, and made a successful piece of work
of it too, had not greater and more absorbing thoughts prevented him.

Many an argument did he have with the curate of his village (a
learned man, and a graduate of Siguenza) as to which had been the
better knight, Palmerin of England or Amadis of Gaul. Master Nicholas,
the village barber, however, used to say that neither of them came
up to the Knight of Phoebus, and that if there was any that could
compare with him it was Don Galaor, the brother of Amadis of Gaul,
because he had a spirit that was equal to every occasion, and was no
finikin knight, nor lachrymose like his brother, while in the matter
of valour he was not a whit behind him. In short, he became so
absorbed in his books that he spent his nights from sunset to sunrise,
and his days from dawn to dark, poring over them; and what with little
sleep and much reading his brains got so dry that he lost his wits.
His fancy grew full of what he used to read about in his books,
enchantments, quarrels, battles, challenges, wounds, wooings, loves,
agonies, and all sorts of impossible nonsense; and it so possessed his
mind that the whole fabric of invention and fancy he read of was true,
that to him no history in the world had more reality in it. He used to
say the Cid Ruy Diaz was a very good knight, but that he was not to be
compared with the Knight of the Burning Sword who with one back-stroke
cut in half two fierce and monstrous giants. He thought more of
Bernardo del Carpio because at Roncesvalles he slew Roland in spite of
enchantments, availing himself of the artifice of Hercules when he
strangled Antaeus the son of Terra in his arms. He approved highly
of the giant Morgante, because, although of the giant breed which is
always arrogant and ill-conditioned, he alone was affable and
well-bred. But above all he admired Reinaldos of Montalban, especially
when he saw him sallying forth from his castle and robbing everyone he
met, and when beyond the seas he stole that image of Mahomet which, as
his history says, was entirely of gold. To have a bout of kicking at
that traitor of a Ganelon he would have given his housekeeper, and his
niece into the bargain.

In short, his wits being quite gone, he hit upon the strangest
notion that ever madman in this world hit upon, and that was that he
fancied it was right and requisite, as well for the support of his own
honour as for the service of his country, that he should make a
knight-errant of himself, roaming the world over in full armour and on
horseback in quest of adventures, and putting in practice himself
all that he had read of as being the usual practices of
knights-errant; righting every kind of wrong, and exposing himself
to peril and danger from which, in the issue, he was to reap eternal
renown and fame. Already the poor man saw himself crowned by the might
of his arm Emperor of Trebizond at least; and so, led away by the
intense enjoyment he found in these pleasant fancies, he set himself
forthwith to put his scheme into execution.



I Love Don Quixote!

Rob Instigator 06.07.2007 10:22 AM

Quote:

Originally Posted by atsonicpark
i think paul leary of the butthole surfers is more influential than jimi hendrix.



sorry, but this is just plain IGNORANT

and i LOVE the buttholes.

atsonicpark 06.07.2007 12:00 PM

...it was a joke. i was joking.

though i do enjoy listening to paul leary more.

SuchFriendsAreDangerous 06.07.2007 12:10 PM

Quote:

Originally Posted by Rob Instigator
creativity is NOT talent
a talented carpenter is not the same as a creative carpenter.

Talent is specific to a skill. the same applies for music.

a person with talent but no creativity can still pull off a good musical performance of johnny B Goode for example.
a person with creativity but no talent cannot do the same, although he could play you a crazy make-em-up that kinda sounded like johnny b goode. it would not be the same.



everyone in sonic youth has admitted that they are NOT the most talented guitarists, but, like I said, they make up for it with inventiveness and creativity.
Jimi Hendrix had BOTH


amen, amen. igzio tesahalane (lord have mercy!)

Rob Instigator 06.07.2007 12:12 PM

Quote:

Originally Posted by atsonicpark
...it was a joke. i was joking.

though i do enjoy listening to paul leary more.


you got me!

demonrail666 06.07.2007 12:36 PM

let's replace the words creativity and talent with ideas and technical ability. I believe that I have great musical ideas, but lack the technical ability to put them into action. This isn't because I lack the technical ability of someone like Hendrix because the ideas I have wouldn't require me to play like him anyway. My lack of technical ability stems only from the fact that I am unable to perform these ideas in a way that does justice to the idea itself.

The complexity of the idea determines the level of technical ability required to achieve it. But not all great ideas are particularly complex, and so complex technical ability is no barometer of greatness. Proof being someone like Yngwie Malmsteen.

Jimi Hendrix was great because his ideas were great and his playing matched the idea.
By the logic of my argument though, the same could be said of Dee Dee Ramone or Blixa Bargeld.

This isn't to say that someone who has an idea to just thrash about on a guitar is great simply because they have the technical ability to do so. The idea itself is crap, so they as guitarists will never progress beyond crapness.

Rob Instigator 06.07.2007 01:07 PM

demonrail

talent is not equivalent to technical ability.

talent is a measure of how much you innately posses, thereby suggesting you would eventually, with practice, gain high technical expertise.

no matter how much practice someone without talent does, they will never have the potential for ability that someone with TALENT has.

jimi was stringing homemade guitars with wire and rubber bands, boxes and sticks, and playing tunes on them to his mother when he was younger than 5 years old, because of TALENT.

Mozart was writing music from his head at age 7, because of TALENT.

sarramkrop 06.07.2007 01:17 PM

It's also true that talented types develop or break through technical practices in order to express their talent, so there isn't a definite formula when it comes to having talent. Also, one of the main problems I find with a lot of musicians, especially when they play live, is that they don't seem to have practiced on their instruments enough. True, there is the other route, the one where someone with great technical ability has no talent to back it all up, but so is the world of music.

sarramkrop 06.07.2007 01:26 PM

Quote:

Originally Posted by Rob Instigator
creativity is NOT talent
a talented carpenter is not the same as a creative carpenter.




That's true. Being creative is not the same as creating talented works of art.
It's easier than ever to create, but it's there for us to see and hear how little of talent is on offer.

sarramkrop 06.07.2007 01:32 PM

Quote:

Originally Posted by demonrail666
let's replace the words creativity and talent with ideas and technical ability. I believe that I have great musical ideas, but lack the technical ability to put them into action. This isn't because I lack the technical ability of someone like Hendrix because the ideas I have wouldn't require me to play like him anyway. My lack of technical ability stems only from the fact that I am unable to perform these ideas in a way that does justice to the idea itself.

The complexity of the idea determines the level of technical ability required to achieve it. But not all great ideas are particularly complex, and so complex technical ability is no barometer of greatness. Proof being someone like Yngwie Malmsteen.

Jimi Hendrix was great because his ideas were great and his playing matched the idea.
By the logic of my argument though, the same could be said of Dee Dee Ramone or Blixa Bargeld.

This isn't to say that someone who has an idea to just thrash about on a guitar is great simply because they have the technical ability to do so. The idea itself is crap, so they as guitarists will never progress beyond crapness.


So true.

demonrail666 06.07.2007 01:37 PM

Quote:

Originally Posted by Rob Instigator
talent is not equivalent to technical ability


You're right, but unlike technical ability, talent is unquantifiable. When we listen to Jimi Hendrix are we listening to someone with talent or someone with a determination to surpass themselves through the constant effort of practice and learning? Ideas are less problematic in that they are recognisable only once they are externalised and judgable only as a consequence of the person externalising it having the technical ability to do that idea justice.

Of course, we're back to the old problem of what determines whether an idea is great or not - but let's move on from that.

EDIT - Ignore this post. I just read through it and disagree with it wholeheartedly.

sarramkrop 06.07.2007 01:38 PM

Quote:

Originally Posted by pbradley
^ более влиятельными мне, по крайней мере, есть время для лекарств и есть время быть здоровыми и jimi hendrix делает любовь marilyn останки! !


Your post makes more sense in Russian.

sarramkrop 06.07.2007 01:46 PM

Quote:

Originally Posted by demonrail666

Of course, we're back to the old problem of what determines whether an idea is great or not - but let's move on from that.


Ideas prove their right of existing when they are put into practice, and in no other context they can possibly justify their existence. Even with music, it transpires when something is simply not working or it hasn't worked. It might take years or even centuries, but if they aren't valid ideas, someone will come along to put them in their right context. I have been listening to a lot of music that I thought was good to ok in the 80's recently, and it's scary how much of it has aged badly, for one reason or another.

demonrail666 06.07.2007 01:51 PM

Quote:

Originally Posted by sarramkrop
I have been listening to a lot of music that I thought was good to ok in the 80's recently, and it's scary how much of it has aged badly, for one reason or another.


I was having a discussion with someone about that the other day. What if something was good in the 80s suddenly sounds crap now? Does that mean that it was always crap, that it was ok for it's time but has now been proven to be crap or that it really is good but that right now we're unable to recognise it as such?

This happens with art that goes in and out of favour.

demonrail666 06.07.2007 01:59 PM

Quote:

Originally Posted by Diesel
if jimi isn't the best then who is?


I thought we all agreed it was Lenny Kravitz.

Rob Instigator 06.07.2007 02:00 PM

That is a very good question demonrail666, expounding on what srramkrop stated.

maybe you should start another thread? I coudl see this one being well read and thouroughly posted on.

as far as older music goes there are three posibilities that I can see right now

either

A) The music was crap, and your taste was crap too at the time which is why you liked it. (bands FOR ME that apply to this are shit like Motley Crue, jesus jones, Dokken)

B) The music was good but your tastes have changed and now you do not like that kind of music anymore

C) the music has been overplayed and just sounds so dated and un-fresh that you cannot extract pleasure from it.

sarramkrop 06.07.2007 02:00 PM

It could be that some the elements in it were valid, but it was produced in a way that was way too much of its time to make it for longevity. Take bands like Strawberry Switchblade: While I don't mind their music and I even find myself singing alongto some of it, they are trapped into a decade with no escape door to turn to. Same can be said for a lot of Jimi Hendrix's music and even most of The Velvet Underground's records, at this point. With the possible exception of a couple of songs on the first album and a few more on White Light White Heat, they sound like they were produced in the sixties, not now.

Edit -Demonrail

demonrail666 06.07.2007 02:06 PM

Another way of thinking is that rather than our tastes progressing, as we all like to think that they do, maybe at times they regress.

I used to think that Swans were a fantastic band. Now, when I listen to something like Greed I find it to be the over-indulgent sound of a bunch of juvenile misery-mongers.

Have I come to some kind of great truth about Swans, or am I just being intellectually or emotionally lazy in my old age?

People can come to like or dislike certain types of music for all kinds of reasons, not always for purely musical reasons.

demonrail666 06.07.2007 02:18 PM

Quote:

Originally Posted by Diesel
wait, i still love chicken kebabs the same way i did 9 years ago.... so i conclude that my ears must be fecking snobs.


Weird, just finished a chicken doner about half an hour ago. As good as it ever was. Some things will never change.

Eating a large chicken doner with extra chilli sauce while listening to Exile on Main Street. Now THAT's timeless right there!

sarramkrop 06.07.2007 02:18 PM

People's minds are faster than notes, that's a fact. It's us who create them, therefore our needs and envoirements determine if they really have a place, regardless of how much one person might get attached to a band or piece of music. If they don't gel with the general mood (not the personal, mind) they die. I can't see it in any other way than this.

Edit - Damian

Rob Instigator 06.07.2007 02:21 PM

Quote:

Originally Posted by demonrail666
Another way of thinking is that rather than our tastes progressing, as we all like to think that they do, maybe at times they regress.

I used to think that Swans were a fantastic band. Now, when I listen to something like Greed I find it to be the over-indulgent sound of a bunch of juvenile misery-mongers.

Have I come to some kind of great truth about Swans, or am I just being intellectually or emotionally lazy in my old age?

People can come to like or dislike certain types of music for all kinds of reasons, not always for purely musical reasons.



I think you may have actually sprung into a truth about the swans. boring bboring are the swans. music to die by

demonrail666 06.07.2007 02:26 PM

Quote:

Originally Posted by sarramkrop
People's minds are faster than notes, that's a fact. It's us who create them, therefore our needs and envoirements determine if they really have a place, regardless of how much one person might get attached to a band or piece of music. If they don't gel with the general mood (not the personal, mind) they die. I can't see it in any other way than this.

Edit - Damian


I think you're basically right. Things go totally out of favour when they fail to gel with a mass consciousness or zeitgeist. I suppose that what I'm saying is that just because something fails to connect with a general mood at any given time doesn't necessarily make it bad.

I'm gonna be a film snob here and say that, given experiences I've had recently, it's fair to suggest that Robert Bresson films bore current audiences rigid. That's not the fault of Bresson or his films, it's the fault of an increasingly stupid population.

sarramkrop 06.07.2007 02:33 PM

Quote:

Originally Posted by demonrail666
I think you're basically right. Things go totally out of favour when they fail to gel with a mass consciousness or zeitgeist. I suppose that what I'm saying is that just because something fails to connect with a general mood at any given time doesn't necessarily make it bad.

I'm gonna be a film snob here and say that, given experiences I've had recently, it's fair to suggest that Robert Bresson films bore current audiences rigid. That's not the fault of Bresson or his films, it's the fault of an increasingly stupid population.


Totally. Western societies are blind to the point of not recognizing when a pack of goodies has been thrown over their heads. That's the mistery of the human kind. I'll write a song about it. It will go like this:

Doo doo do do do dooooo do.

Dodo dodo dodo dododo!

sarramkrop 06.07.2007 02:38 PM

Totally Diesel! Let's find the drummer and wee sorhead.

sarramkrop 06.07.2007 02:40 PM

I'm going to write it in a language that is totally unknown. Here's the first verse:

GGdhhhdi^^^ ^^^......^^^????


<<<<<? <<<<<<???? <<<<<?????? ??????!!!



Do you like it?

demonrail666 06.07.2007 02:44 PM

Scaremplop- It's like right now, Blondie are talked about as though they're the best band since sliced bread. I'm not saying Blondie are bad at all, but it's obvious that there's something about them that makes them connect with today's audience. During the 90s you couldn't GIVE Blondie records away. The same with Black Sabbath.

A few years ago you couldn't move for people salivating over Big Star, now they're lucky to get even a mention.

...Fuck it. I'm turning into a one man promo vehicle for all things Alex Chilton here.

demonrail666 06.07.2007 02:47 PM

Quote:

Originally Posted by Diesel
my 40 something lesbo wimbledon attending auntie


I'll bet she hates chicken doners too.


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