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Wolf of Wall street was p chill
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I don't know what this means. This weekend: HER DALLAS BUYERS CLUB PHILOMENA Not AMERICAN HUSTLE. I fucking hated SILVER LININGS PLAYBOOK so much, I don't think I can watch this one. I want to watch 12 YEARS A SLAVE. But then, I don't. Y'know? |
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I also haven't seen it, I definitely don't want to go to a theater to hear a mix of some people being overly apologetic, some people being just straight hating, several racist motherfuckers to run their mouths saying something totally stupid, and then the obvious knuckleheads that let their emotions get the best of them. I will make it a Netflix thing.. Though I've gotten to a point where I just can't watch depressing shit anymore. Like, I know I shouldn't be avoiding reality, but, I also don't want to spend 2 or 3 hours reliving the horrors of history. I can barely even watch PBS documentaries anymore, especially Frontline. |
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Yeah, this is my problem. And I feel very guilty because of it. I don't want to go through a painful emotional experience, especially since I already understand that slavery wasn't very nice. What am I going to think at the end of the movie? "Aha, I was right. Slavery was awful." But since my life is extraordinarily privileged (relatively speaking), I'm sure I can sit through a fucking movie. I should be able to watch a horror since I don't live one. Ah, the guilt. |
I cannot watch such things anymore either. As we age I think our ability to handle traumatic imagery becomes less catharsis and more disturbing.
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True. But I'm not sure catharsis is often the point. Usually it's just, "Here's something awful to feel awful about."
It's complicated: I have contempt for anyone who willfully buries their head in the sand. On the other hand, I get it: people have done and continue to do unspeakable things to each other. I get it, I get it, I get it. |
ignoring history is one thing. Not watching a fictionalized Hollywood entertainment is another.
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Ah, there we go. Thanks.
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This is why I could not enjoy Django Unchained. I found it flippant.
I did enjoy Inglorious Basterds a lot though, and I think it is because the entire film is like a Marvel "What if?" story, as opposed to Django which was supposed to occur in our actual past. |
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I agree completely, I thought Tarantino was pushing his whole "I'm a white guy who is hip with the brothaz" schtick. As a white guy who is more welcome in black communities than white, I can relate BUT I think he just went to far. That movie wasn't just flippant, it was in absolute SHIT taste. Quote:
I think that Inglorious did a bit better job of making it serious, particularly the first half with Christopher Waltz's scenes. All the Nazi killing was as in poor taste as was Django BUT, lets be honest, who the fuck ever had a problem with disrespecting the humanity of fucking Nazi fucks? Its why Nazis were the bad guys in all the 1980s/90s violent videogames like Wolfenstein and Soldier of Fortune, NOBODY on earth has a problem with the graphic recreation of killing numerous Nazis. Shit, probably even Jesus Christ Himself and the Blessed Virgin give a soul dap about each virtual killing and joy it induces in us at seeing it. ![]() Quote:
That is to contrite an analysis. 12 Years A Slave is obviously not necessarily trying to be a weekend block buster, it isn't the feel good buddy cop movie or an action packed thrillfest. It is a shockingly real portrayal of challenging history, and in particular, challenging history which the overwhelming majority of humans only THINK they know all about, but from my experience 99% of even sympathetic people have quite literally NO FUCKING IDEA WHAT REALLY HAPPENED (black, white, brown alike). This movie is crucial for that. I think A LOT of people need to be confronted with this reality they weren't as intimately familiar with. ALL the black folks I've talked with about this flick are extremely thankful and appreciative about its release, its being considered the most important black made movie about slavery since Roots. Roots is crucial. There is a reason we all watched it back in middle or high school history class because its easy to minimize or trivialize or compartmentalize bad history when reading about facts, dates, names, and figures. When you witness a dramatic narrative recreating that history, it becomes realer in a way that reading or imagining simply can't. So I think everybody who doesn't haunt the "Black reading list" section (or as my sister calls my bookshelf "Blackrypha") of their book store should definitely watch this flick. Me? I think its safe to say I'm a bit familiarized with the actual history of slavery, having a degree in African studies and spent the entirety of my college career researching and writing about these histories through primary source material. For me, I can't watch this movie not because of it itself, but because of all the tangential memories that it will induce. In my mind, a collage of ALL the material I've read, seen, and experienced will come to light. It won't be cathartic, but overwhelming. |
it is still a fictionalized piece of drama entertainment.
Schindler's List was too, and the shit that went down in WWII was a billion times worse than any 3 hour movie can begin to show. I think it is more important to learn from those things to watch out that they do not happen again, or if they are happening now, to spot it and STOP IT. |
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True, but that is like saying every book, piece of art, or music is "just a piece of fictionalized entertainment." Artists create art for many reasons simultaneously. This film was clearly written, produced, and made to be informative, emotive, and revelatory rather then merely entertaining. After all, its not really all that entertaining is it? Quote:
Spielburg made that as a kind of personal experience to connect with his own Jewish history and share it. I also think it was a beautiful film which demonstrated how even in the most inhuman of circumstances, we see the true Light of the goodness in human beings. It was a crucial movie that humanized the Holocaust experience in a way a documentary couldn't. People can again compartmentalize documentary films and personal accounts, but the medium of the dramatic narrative is powerfully compelling. Human beings are story tellers, and we learn through stories. I can't tell you how many black people felt like they learned something deep about their own history through Roots. Its one thing to talk about slavery, its another to recreate the experience through storytelling. People have to as it were "jump into character" even if they don't want too.. That is why Schindler's List is crucial, and why 12 Years A Slave needed to be made. That being said, a lot of people truly at the core of their being NEED to watch these movies. I am not one of them though I have, and with 12 Years a Slave more than likely will. Quote:
I think that is too simplistic. We can't necessarily just "stop" the bad aspects of the human experience through a conscious awareness. Rather, I think whether watching these movies or just studying the history, that folks need to empathize with this history in the experiential sense. They need to engage with it deeply, to experience it, not just know it. Knowledge is worthless if it doesn't cause growth and maturation. Sometimes people just need to feel what has happened or is happening without necessarily any intent to change their actions. The heart is where real life exists, not just the outside world. So even if folks can't change the world, the least and indeed most they can do is change their own heart. |
I've watched 12 Years a Slave last night.
What Nefeli, Stu and T&B said. Cried a lot while watching the movie. |
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Excellent it proves you're truly human unlike other imposters out there, glad to know :) ![]() Quote:
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I have not seen 12 Years a Slave yet. I'm enjoying reading the discussion on here that the mention of the film has inspired, and the comparisons being made between this film and "Schindler's List". I also find the discussion of a film's topic affects us any differently if the film is a fictionalized narrative, or a documentary. Which reminded me that there is documentary on The Holocaust called "Memory of the Camps" in which the filmmaker received advisement from none other than Alfred Hitchcock. Hitchcock himself didn't produce or do any technical work on the film but as is the way this film has been described as "Hitchcock's Holocaust Documentary", which I think is misleading.
http://www.openculture.com/2014/01/m...hitchcock.html There is the link on the story if anyone is interested. |
watch 2 summer blockbusters this week
MAN OF STEEL - a piece of shit. it was like watching mortal kombat. ridiculous cgi fights. all-around stupid shit. good cast but hammy direction. bloated. didn't like it. THE WOLVERINE - what a difference from that superman lamo. this one was fun. yes, a little predictable, etc, it's a fucking superhero movie for fucks sakes, but it was done right. really liked it. bonus: the main girl non-mutant girl was really pretty (google tao okamoto and see). |
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So long as they didn't hype any shower scenes |
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