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-   -   Does anyone actually give a shit about the Go Betweens at ALL? (http://www.sonicyouth.com/gossip/showthread.php?t=14242)

demonrail666 06.26.2007 07:17 PM

Does anyone actually give a shit about the Go Betweens at ALL?
 
I mean honestly.:rolleyes:

porkmarras 06.26.2007 07:18 PM

no,,,,,,,,,,,:fuckyou:

demonrail666 06.26.2007 07:23 PM

Aussiephobe

Norma J 06.26.2007 07:47 PM

I like all of which I've heard. I tried asking around for some Go Betweens vinyl but everyone seemed to think that it was a silly question.

demonrail666 06.26.2007 07:51 PM

Was that because you meant you wanted vinyl specifically?

Norma J 06.26.2007 08:14 PM

I was in a secondhand store that specialises in vinyl.

Toilet & Bowels 06.26.2007 08:15 PM

i've got one of their albums and it has some nice songs on it, i ought to look into their other records really

demonrail666 06.26.2007 08:18 PM

It's just weird that they're almost famous for being unknown, but I thought they'd had some kind of indian summer of success, or something. But now they seem even less popular than ever. Truly one of the great musical mysteries of our time.

Norma J 06.26.2007 08:20 PM

In what country do you live, demonrail?

demonrail666 06.26.2007 08:22 PM

Iceland. It's all fucking Bjork and Sigur Ros around here.

porkmarras 06.26.2007 08:26 PM

and whale killers!!!

demonrail666 06.26.2007 08:34 PM

Quote:

Originally Posted by porkmarras
and whale killers!!!


Racist

porkmarras 06.26.2007 08:34 PM

its all greenpeace talk about when they mention iceland in their news letters

demonrail666 06.26.2007 08:37 PM

Ecophile

Norma J 06.27.2007 01:50 AM

I actually found Bellavista Terrace: The Best of the Go-Betweens, today.

Fine band.

demonrail666 06.27.2007 01:53 AM

What's their reputation like in Australia? In Europe they have this massive (almost obsessive) cult following that can never quite understand how they never really made it bigger. I don't think they have much of a following at all in the States.

Norma J 06.27.2007 01:57 AM

They don't have much of a following here. I'm sure alot of people into music in the 80s would all know of the Go-Betweens, but as a whole these days, I never hear about them from people. Although a bunch of musicians here all got together and put on a Go-Betweens tribute gig which was pretty fuckin' cool which was aired nationally.

demonrail666 06.27.2007 02:04 AM

That's sort of what I meant when I said they used to famously obscure. Now they're just obscure.

Norma J 06.27.2007 02:12 AM

In the cover of this album Robert Forster says something similar. I could quote it but my cat's laying on the case so I won't disturb him.

king_buzzo 06.27.2007 02:50 AM

no why?

terminal pharmacy 06.27.2007 02:51 AM

I don't

Norma J 06.27.2007 02:55 AM

Really? I thought you would.

demonrail666 06.27.2007 10:08 AM

Quote:

Originally Posted by Norma J
Really? I thought you would.


My point exactly.

evollove 06.27.2007 10:32 AM

Cattle and Cane is the best song. Ever.

Rob Instigator 06.27.2007 10:44 AM

never heard of them

sarramkrop 06.27.2007 10:46 AM

I like a few songs, but I'm not really fan.

jimbrim 06.27.2007 10:52 AM

I've listened to odd tracks and thought they were pretty decent, i'ts just that ive never really cared enough to buy an album or anything. Maybe i should now though...

demonrail666 06.27.2007 12:28 PM

Quote:

Originally Posted by evollove
Cattle and Cane is the best song. Ever.


Hard to disagree with that.

MellySingsDoom 06.28.2007 03:47 AM

"The Streets Of Your Town" is perfect summer listening.

evollove 06.28.2007 03:23 PM

Quote:

Originally Posted by demonrail666
Hard to disagree with that.


From the New Yorker:



Critic's Notebook

The Great Between

by Sasha Frere-Jones May 29, 2006



On May 6, Grant McLennan, one of two songwriters in the Australian band the Go-Betweens, died of a heart attack at his home in Brisbane, at the age of forty-eight. Though they formed the band in 1978, in the punk era, McLennan and his writing partner, Robert Forster, created an aesthetic that had little to do with volume, speed, or noise. They wrote plainspoken, serious, and intentionally literate pop songs that rarely cracked wise or hollered out loud. McLennan’s gorgeous song “Cattle and Cane,” from 1983, was voted by the Australasian Performing Right Association as one of the greatest modern Australian songs. The song is neither loud nor soft. It maintains a tension that it decides never to release. A simple but oddly timed motif is played in unison by guitar, bass, and kick drum. McLennan pauses between words, flickering between melancholy and a sense of wonder that we can remember things to be melancholy about: “I recall a boy in bigger pants / Like everyone just waiting for a chance / His father’s watch, he left it in the showers / From time to time / The waste, memory wastes.”


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