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vinyl sales continue to increase
http://www.gfktechtalk.com/2011/03/2...vinyl-records/
one of the many articles about this. vinyl was, apparently, the format with the biggest increase in sales last year, and the trend doesn't seem to stop. it certainly won't match digital sales now or in the forseeable future, but it's very good news for those who still buy it. |
Hm, it will be interesting if the y can exceed vinyl quality with computers. Thing is, is there needs to be some sort of compression, where it's limitless with vinyl. Since computers begun, it needed to compress. When making a mathematical equation, does the computer consider "pi" as 3.141 or 3.141592653589793238462643383279502884197169399375 10582097494459230781640628620899862803482534211706 79 etc. A file size can't get those 'limitless' frequencies the grooves have.
I'm not saying it's impossible, but I don't see it as being better than vinyl quality in the forseeable future |
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I always think it's a bit of a mistake to assume that one of the 'virtues' of vinyl is that it's analogue. It's only the reproduction, from needle-arm, that's particularly 'analogue', and the overwhelming majority of non-audiophiles use gear that converts the signal to 'digital' somewhere along the line. How many bands use all-analogue studios? Ones who work with Steve Albini who, as many of you are aware (what with having ears), is the emperors most boring new clothes.
So I'm saying that the digital 'vs' analogue debate is just bullshit, essentially. Ok, I know that there's recording engineers and so on who'll argue about that, and I'm a big fan of a wide portfolio of sound sources, recording, mastering (etc etc). But essentially it doesn't really play in the 'vinyl vs mp3' debate. Are mp3s lower quality? Sometimes, yes. And I don't care what studio-heads say - the overwhelming majority of music fans - and I take that to include the 'hardcore' music fan - can make minimal distinctions between digital/ analogue recordings and digital/ analogue reproduction. And, just to be clear, there's a massive difference between the various factors at play (recording, reproduction, mastering and so on). I'm only saying that to be clear that I don't endorse vinyl for any nostalgic reasons. The idea that everything in my life is reduced to a computer screen is just fucking laughable. I use computers heavily. They are a tool. They are not a tool I use to play music. I have a handful of mp3s, but the majority of my music is in 'hard' formats, like CDs and vinyl. But not tapes, because - and I think more people should take note of this - tapes are just shit. I don't care about the 'warmth' or the shit fidelity - they're shit. Shit shit shit. Tapes are about nostalgia, and in some incredibly rare cases the fidelity suits, but generally anyone using tapes can fuck off (that includes myself, obviously). Anyway. This a bit of a circuitous defence of vinyl. I'd take on board that there's a rampant wasteful economy attached to vinyl, but there's a rampant wasteful economy attached to the production of silicon for computers. Whether one is greater I'm unsure, though I suspect there's a case to be made for the transportation of vinyl being far less cost-effection/ ecologically viable (etc etc). But. Some people enjoy vinyl. Many people appreciate the ontological surface of it. Musicians should get paid for labour. Regardless of who they are. I spend a lot of time working on my solo stuff to play a gig without getting paid. I play a function, having learnt the songs (if at all) 10 minutes before, and I'll get somewhere between £50-250 an hour. Vinyl is a way of recouping profit for musician's labour, and is attractive to the market. CDs and mp3s are very cheap and disposable (in both an aesthetic and material sense) and the market treats them as such. If some of those people buying vinyl are doing it because it's 'warm' and 'real sounding', or for other hackneyed bullshit reasons really doesn't matter. That there exists a format which treats music, as an ontological, material object, with some sort of dignity, as an art form, that's utterly crucial at a time when musicians themselves don't treat themselves with dignity. |
tl;dr - wax ftw
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Digital formats suck.
Completily loosing all the point of collecting records. The fact that you can hold the release itself in your hand is what I like about vinyls, tapes, cds, etc. Vinyl will never die, i'm very shure. |
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I'll save ni'k the bother of replying. What you've done there is to emphasise 'fetishisation' while presuming an ontological primacy - something that Marx and Engels didn't do, and rarely do any Marxists (from the academic ones I've read at least). Music is still fetishised in the surface-less realm - that's why people still listen to it as a non-essential commodity, why we're all here talking about music. That the commodification of music hasn't shrunk the transparent exchange-production-commodity of music doesn't mean that there isn't those economical demarcations there - vis-a-vis, most pop music videos, consumed on youtube (owned by Google) have product placement in. The economy has removed the direct exchange value of ontological commodity fetish, but don't be fooled into thinking that the exchange value was destroyed or removed. EMI is still turning a massive profit, just not directly from classic record industry product. To make that a little clearer - music is fetishised both ways (if vinyl is really distinct from 'digital' formats, an bifurcation I've challenged previously in this thread) and ni'k is well aware of this. |
I never thought I'd say this, but I'm very happy with mp3s. They're just such an easy and convenient way to listen to music. My attitude changed when I bought a Nokia smart phone. I now only listen to music through it. All the mp3s I've got stored on it are converted youtube videos, so they haven't cost me a single penny. Plus they're far more eco-friendly.
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Sometimes I condescend to point out that you're all fuckwits.
Also, patronising little nikky noo noo only make him have a wittle boo boo, and no-one wants to see his salty tears. |
glice: kill yourself.
lol ontopic: I'd love to buy more vinyl but the thought of lugging what I have downunder is already giving me fits. and by fits, I mean mp3s take up less cunting space. I've hauled my fucking crates back and forth across THE GREATEST COUNTRY known to god enough times to wish I'd never bothered. |
all of that said, I love my Thunderbolt Pagoda vinyl like I love my penis (often).
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Agreed. You'd need a large, gas guzzling truck to haul a large vinyl collection across the outback, whereas the mp3 equivalent can snuggly fit in your jeans pocket! |
i like vinyl and everything
but increased vinyl sales most likely means one thing and that's more hipsters |
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did you just squeal a little bit while typing that? |
it's totally nostalgia. recently I threw away an entire bag of cassette tapes. just tossed 'em. no regrets. yet I reckon I'll be taking that INXS picture disc with me to the fucking grave.
also, my ears are so shot from listening to too much Ministry that I doubt I could tell the difference in quality between the most pristine vinyl i have and my iPOOed if it was shown to me on a graph. |
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why? you gave up on reptilians and are now on the lookout for pig people? |
Wrong again, Nikita. You seem to be confusing collecting records with buying the ones you want to own and will listen to. That's a big difference. And as you already know, you always have the option to sell them if you decide to get rid of them.
And what's the story with not giving a fuck? You semi-engaged yourself with the thread in a manner that seemed to indicate you scrutinise the buying habits of other music listeners you don't really know. Isn't that the same as cracking shit jokes about hipsters? Quality difference between mp3 and vinyl? When did I mention on this thread that's my reason for still buying this format? |
I like owning music and vinyl seems like a better investment and is more funner to listen to than a plain old CD. The end.
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Someone who takes the internet too seriously NEG REPPED me for this. Can you imagine? |
I wish I was here to witness that.
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let's take a little break from the topic of this thread to look at this picture of lil' wayne wearing a psychic tv cap.
http://mishkanyc.verbsite.net/blogli...011/03/155.jpg |
^^^ Im about to destroy my G-PO devotional candle.
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and for the record, I neg rep all of your posts. some just manage to get through. 2 srs lol |
people like collecting shit and vinyl's very suitable for that purpose: sounds good, looks good and looks spectacular in large quantities on the shelf and thus is great for showing off.
Cd isn't very sensible format when the same stuff is available online and sounds the same. Kinda kills the rarity factor too. As cd sales continue to decrease, who knows, maybe in ten or twenty years you can't find a cd/dvd player because all information is purchased as downloads. I'm fairly sure that there will be turntables for the fact that there will be several decades worth of archived stuff on vinyl. |
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this. I just started buying lsat year when my bro asked me if I wanted his record player. and yeah. much cooler than cds. I try to stick to albums I REALLY like or if it's a good deal. Buying new vinyl is expensive....so I wait a little bit sometimes.... |
I'm completely sure this isn't a trend.......
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I don't think it has to be an either/or thing. MP3s are convenient, but I like having vinyl as well. Perhaps the days of small being better are over... pretty much everything before 1990 or so was designed to be played on vinyl, so if you want to hear things as they were heard at the time, vinyl is the way to go. Current recordings on vinyl do have collector/elitist appeal, and there is something nice about the look and feel of the complete package. Personally, I love 7 inch records... since 1955 and Elvis, every band has wanted to make a record - I've never heard anyone say "yeah, we want to make an MP3", hehe. The whole package helps people to think about music as something more than disposable and transient, and I don't think that's a bad thing. I also look forward to buying my letterpress bible once the publishing market has temporarily collapsed due to digital alternatives. I might even make a documentary about it on Super-8 cine film.
This thread reminded me of the sleeve notes for one of the Big Black albums, can't remember which... "The future belongs to the analogue loyalists. Fuck digital". |
Personally I'm more interested in how the album was recorded, not the format in how it was distributed....... Regardless of this though, at some point the music will be converted to digital to be pressed onto vinyl so you're never getting a perfect "analog" sound unless you're buying used records from the 70's...... that's why Electric Wizard albums sound so incredible, regardless of the format........ although recording onto 2" tape is somewhat of a novelty these days anyway to to the insane cost associated with it........
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Unfortunately there are labels like Sub Pop who take advantage of the vinyl boom with poor quality reissues.
Most people don't notice. If you're wondering why Earth 2 doesn't sound so great it's because Sub Pop have dubbed it from the fucking CD. |
You ever see those Back In Black metal reissues they do? Those look like fucking shit and I hear the sound is ass...... I'll stick with my CD version....... man seriously I was in a store looking at the Burzum ones and it looks like they used a jpg they downloaded from the internet for the fucking cover art.......
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I’m going to buy a fuckton of Melvins eps at their upcoming show. (I am buying them for someone else though...)
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vinyl sales continue to increase
Thats better A little more informative.
US album sales only. To be honest I could have guessed :- In fact I did But when someone does an article I like to be fully informed. Its bad enough guessing the lineage of vinyl as it is Itll be US all day long too, nothing exists outside of the US didnt you know :- |
and now waiting for the spam insertion edit in 4, 3, 2...
ban! |
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