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New Blonde Redhead-23
So...it's leaked. Has anyone heard it yet?
What do you think? Do you like it as much as Misery (which was fantastic, IMO). It's really shoegaze/late 80's early 90's 4AD sounding (which makes sense, given that they are on 4AD). |
have not but I am glad a new one is coming out!
I love the redhead. Misery was crazy good. |
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If you liked Misery then you will prob. like 23. It takes the ornate song writing of Misery and marries it to a guazy,shoegazey sound. I'm really digging this record. Can't wait to see it performed live. |
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I thought Misery is a Butterfly sounded really shitty live though. From the way you're describing the new material, unless they change their tactics I don't see this being much different. |
I think BRH is one of the best live rock band I've ever seen! Their songs become raw on stage, which gives a sort of parallel second existence to their albums: there's the studio version and there's the live version! I listened to "silently" it makes me think of "in particular"! I love it!
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I've not heard much by them and never seen them live, but what I have heard hasn't really done it for me. Maybe I should give them another go.
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I really liked seeing the Misery material played live. They do tend to pare it down a bit. It really does become rawer and more like their older material. I really think the 23 stuff is going to be amazing live. I hope they try and pull anMBV and really crank up the the volume so you can physically feel the layers and texture. |
I'm downloading this as we speak. If you're a demonoid user, here's the link...
www.demonoid.com/files/details/1027937/11197494 |
excluding the first couple tracks ( quite classic-straight forward-kazu driven-melodic brh") it's pure pop geniuses at work. "The Publisher" is one of the best proper songs I heard in years. Very layered record, and i love how the sounds of instruments/keyboards/voice/samples work together. Melodies are great. Golden songwriting. The only drawback is that there's NO WAY to pull it off this good in a live set... but I hope they'll pleasantly surpass my expectations live (last time i saw them they were not too good...).
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To be honest, I found this record to be mediocore at best. All songs except one were decent. IMO, the shittiest track on this album is, "Silently".
All in all, I'd give it a 4 out of 10. |
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Yea, Silently is not the best thing they've ever committed to tape, but, Spring and by Summer Fall, 23, Dr. Strangeluv and a few other ones whose titles I can't remember are doing right by me. I hope this record gets the band the larger audience they rightly deserve, but, I'm not holding my breath. |
who has my you send it?
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Yeah, but I thought the songs on Misery worked because of the lavish arrangements and tight production value. Without that, the songs just sounded skimpy live. In my opinion of course. |
After a first listen I'm also very disappointed by the new record, it sounds uninspired compared to their previous two records which were masterpieces.
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Well, after a second listen it's not that bad :o But I still think it's not as good as Misery.
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While I strongly believe that this record is 10x better than any mainstream type record, it's not the type of record that put's a group on the map. If that made any sense. But, I do wish Blonde Redhead would get more appreciation. They do deserve it. |
Dunno, it's more pure pop sounding than misery, but the "layering" is still there, and that's what , in my opinion, makes this a good record too: even the most melodic songs have an amazing "research" in sounds and composition... I think "the dress" , "publisher" (its hook is simply amazing), "sw" and a couple other songs are way better than the songs sung by kazu on misery ( in my opinion amedeo's tracks were much better than kazu ones on misery)..but I'm not trying to persuade anyone, just expressing my opinions, eh?
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maybe you should wait until it comes out on vinyl and listen to it as it was intended. everything sounds shitty and lame on MP3
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No, you're right. 23 is not the album that would give BRH more "mass appeal". I don't even know if they could make that kind of album. BRH just seems like the type of band that is always going to be really underrated; a real cult band. I liken BRH's situation to Unwound's or Polvo's: Bands who release a string of increasingly great albums but, for one reason or another, pleteau (spelling?). |
im so behind with BR. im riding slsk like a bucking pony right now.
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