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classic albums, atsonicpark edition # 11: glenn branca - the ascension
![]() GLENN BRANCA "THE ASCENSION" 1981, 99 Records
The Ascension is amazing. Let me reiterate: This album is AMAZING. When you actually pay attention to what's happening here... the structure, the flow, the atmosphere, it's truely amazing. I can't think of a better way to justify that statement than to say that I'm rarely "amazed" and I rarely say "amazing" and I rarely call people a "genius" since that's a word thrown around too much. But, indeed, Branca proves with this album that he is a genius and this album is fucking unbelievable. Taking the basic fundamentals of no wave and classical music and combining them, Branca seems to find some hidden truth without saying anything at all. Indeed, if you listen, there's actually not a LOT going on, especially comparing with Branca's symphonies (or his best song, "Bad Smells"): the instrumentation is very sparse, with "just" four (not 100) guitars , a bass, and drums. However, what Branca does with them... I mean, has it ever been attempted since? This album was truely .. I hate to say life changing again, but.. very inspiring to me. I just couldn't BELIEVE what I was hearing. When I heard it, I was already familiar with all the old and new no wave groups, and I hadn't heard anything that even attempted what Branca was going for here. Anyway, for those who haven't heard it, imagine no wave's chiming guitars and free-form dynamics, somehow restructured into "classical music" with a healthy dose of crescendos. Awe-inspiring. If you can, get the reissue. The liner notes by Lee are excellent (if anyone wants to post them, go ahead) and the remastering by Weasel Walters makes it sound better than ever. |
This album kicks serious bottom. Word. I'm also seeing the Branca man tomorrow in London, which I'm very much looking forward to.
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Some Branca stuff didn't click for me right away but from when the bass kicks in on Lesson #2, I was fucking hooked.
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Nope. Still a shit record. Later than this? Sublime. This is little more than an exercise in various simple ideas extended to the electric guitar. Didn't find himself as a composer until symphony no. 1, and even so. The Ascension isn't a good record, it's a shit one by someone good.
Remember people - 'early stuff is better' is an observation, not a rule. |
One of the songs, you might note, is called lesson no. 1.
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i really love this after "lesson #2", i first heard that song, the first branca i've heard and i thought it was very subpar sy shit (i can only imagine listening to it in the early 80's when at that point, that was completely unheard of). the later part of the album, especially "lightfield" and "the ascension" are sublime.
that said, the most seismic of branca works, for me, is symphony #1. |
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Enjoy Branca tomorrow, saw the same show here in ireland during the summer and was blown away, went to another place during that one! |
This Articulates things, things that id always thought you had to rely on passionate vocals for. But its wordless and perfect. I have never taken any drugs except alcohol, and im so glad that i came to this, Lightfield (in constant) and the title track especially, having never been under any kind of influence. The title song makes me cry; that is all.
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can someone post Lee's liner notes?
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The album provided a name for a kick ass London band in the 90s. That much I do know.
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Well, Branca came, saw, conquered and deafened us all at the Roundhouse last night. Hurrah.
Glice - whilst I agree w/your points about the album, I still likes it anyway. What's your fave G Branca composition, out of interest? |
This is my favorite Branca.
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I'm not sure - I would've said the 3rd or 6th a while ago, but I'm currently trying to reconcile where his actual compositional invention lies. There's a lot of Wagner in him, and it's quite difficult (especially given my lack of theoretical 'chops', as it were) to weedle out where Branca is and where Branca merely transposes ideas to the massed electric guitar. This isn't a criticism in the case of most of his mature work, but in terms of the Ascension it's as transparent as can be. I could go on at length, but I'll just say that with the Ascension it's not quite a brutal minimalist piece (which dissonance is), it's not quite satisfying as rock music, it's not got enough of anything to sustain my interest over his other works. With Chatham I'm satisfied that he's made a virtue of electric guitars - Branca is slightly more complex, and very much between compositional worlds as opposed to creating his own. This is a bit of an iffy statement - I still like Branca a great deal. Probably one of those personal things that doesn't have to make sense to the world. |
yes yes and oh god yes..
the spectacular commodity is probably my faourite brance track.. its just so facepunchingly good! |
YES, yes indeed.
A fantastic album. |
Something I'm wondering..
Why has symphony 7 never been released? I know there has been other symphonies not officially released (11, 12, 13...) and I'm sure they will be one day, but 7 was just completely skipped. Hmm.. |
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