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Am I the only one that does not like CD-Rs? (or a question of packaging)
I don't like burned CDs. I have no problems with downloading and listening albums as MP3s. I have a lot of them on my computer, and I always end up buying them one day or the other. But I don't like burning my downloaded albums on CD-Rs, even if they're out of print or whatever. I can't really explain why - I just feel strange about it. And I know that I won't ever listen to a burned CD - whereas I often listen to MP3 albums.
I think that's because the MP3 is totally decontextualised from the whole packaging: that's just a MP3 folder - even if it has the cover art on it. With the burned CD, you have an object - but I feel like it's not the real thing. I prefer having the whole packaging when I have an object. Do you get my point? Do you feel the same about burned CDs (or asked differently: am I a psychomaniac)? Or more generally, what is your relation to packaging? |
Twat.
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you speak from the bottom of my heart. I hate them and I tread them like shit. I only burn them to listen on my stereo, but if I like the music I will buy it, and if I dont like it I will trash them, anyway.
hate cdrs!!!! love originals love vinyls even more |
I don't care too much. It's all music in the end.
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Hmm, I personally can't listen to an album on a computer unless I have it on a physical format, even if it is just a CD-R. For me a CD-R is just an inbetween compromise, between deciding I need to hear it and actually getting around to buying it. I don't agree that a collection of MP3s feels more like the real thing than a CD-R, I always print off artwork to go with my CD-Rs though...
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I cant say why self printed cover artworks and self burned cdrs doesnt satisfy me, but they just dont. and yes somehow I want to pay the artist for what he did. especially when it comes to smaller releases.
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Quote:
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My experience has been that CD-R releases tend to be on lowest-quality CDs, and although you get the odd masterpiece, lower-quality artwork. I haven't, in principle, got a problem, but in practice a CD burnt on low-quality software (which may well be top-spec for home users) doesn't seem to stand up very long in Glice Towers. This is largely to do with my shocking disregard for CDs, but I find a professional pressing will just need a bit of a clean to make it not completely fucked.
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but when it comes to quality than some labels compress the fuck out of their releases just for volume.
quality>volume then I prefer the self burned (from the artist) albums, which is indeed another story |
I'd be surprised if many of the over-compressing labels were the sort of labels that people here were into. Assuming you mean the mastering wars thing?
Interesting thing on that. Last year, I was able to listen to CDs as I worked. I listened to Merzbow at half-volume. Immediately afterwards, I put on Avril Lavigne's second, and I nearly deafened myself. Far too loud. Great, but far too loud. |
no I think thats more the case for the majors.
same goes for me as I was struggling to reach the same loudness of some independent myspace artist. I thought that I should at least reach his loudness...then Ive compared my track to a boards of canada (warp) track by accident and I was already louder...it was a good moment for realising NOT to overrate loudness. and I think BoC are a good comparison, if somebody cares about output quality it must be the guys from boards of canada |
yes i feel the same way. when i burn discs i always use the same ones and the same sleeves so they all look the same. that bothers me a little. i dont want to bother printing out the cover and everything.
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I really don't care much about aesthetics of music packaging. CD-Rs are a quick and efficient way to be able to play music that I have in MP3 on a CD player if I do not have the CD release. They are also greater for burning mixes as well as sharing my own tunes. I don't have any hook ups on some notion of "real."
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I really prefer the good ol tape over the cdr for mixes, it got more charm and the recording process is something completeley different then puttin a tracklist in 5 minutes together
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My only CD-Rs are of things that are extremely rare or impossible to find in a "real" format, like certain VU bootlegs and Pussy Galore's Exile on Main St. In any case, they're only a substitute for the "real thing" until the day I find it on LP or CD.
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OH NO. CD-Rs are less "charming" and don't take as much effort. They obviously suck.
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^^
exactly |
just listen to the music and quit bitching. nerds.
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^
tssssss |
CD-Rs suck. It's as simple as that. Case closed.
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