Quote:
Originally Posted by Stijn
Can anyone recommend a good 4/8 track recorder? analog or digital
And I think I composed a pretty good doom-metal song, but I wouldn't know in a thousand years how to get the right sound
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Parallel compression will be a good start to getting the right sound. I would do it on drums, bass and vocals. Also i would set a ducker to slightly duck the bass when the kick hits (depending on how much you are using kick, if there is alot of kick drum then don't do this).
So parallel compression: On drums, you want to make two mix busses to send the drums too. On one of the mix busses place a compressor on at 6:1 ration or a little harder and set your threshold quite early like -40db or so. you really want to squash the fuck out of this first buss so the lightest of hits or taps will be heard and the loudest really squeezed. On the second buss just add a fairly light compression to catch any ugly transients, maybe 3 or 4:1 ratio and threshold around -3db or so. Send to both of the busses from the drum channels prefade as well. Then we want to mix the clean and the two compressed bussed till it sounds like you want. This if you do it properly will give the drums great punch and the lightest of dynamic playing will be heard. You can then do this on the bass and vocals too, even guitars if you want. I usually only do the drums and vocals when i'm doing this for live mixes but recording I do a fair bit of it.
Make sure auot plugin compensation is on otherwise you will get phasing etc and the signal will be slighty delayed.
As far as recorders, is it to be portable?