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Mastering Nazi not at all. The thing for me is that I have minimal interaction with recording - I tend to get someone else to sort that out then I play; I know what I want from a recording, but not how to produce it. I'm definitely sceptical of bad mastering, recording (etc) but as I don't have that much of an engagement with recording, I'm not so articulate with mastering - last time I was mastering something of mine I was talking in synaesthetic terms to someone who had no idea of what I was really talking about.
I know plenty of people who take particular care with every aspect of recording, and it's only fair to respect that. There are those who've submitted stuff to this compilation that perhaps could use a little tweak, but me or GD will be talking to those people privately closer to the time of production.
Just while I'm here - anyone got any other question pertinent to this matter? I'm happy answering by PM if you'd prefer privacy, so long as you're not sending asinine threats like some neutered teenager.
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Message boards are the last vestige of the spent masturbator, still intent on wasting time in some neg-heroic fashion. Be damned all who sail here.
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Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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