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Old 05.30.2013, 02:34 PM   #81
SuchFriendsAreDangerous
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Join Date: Mar 2006
Location: fucking Los Angeles
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SuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's assesSuchFriendsAreDangerous kicks all y'all's asses
Quote:
Originally Posted by Rob Instigator
Supernaut goes into that Santana-esque chicano groove at the end all excellently!

http://youtu.be/44hNwWCKgpI

All things considered, I actually dig that part of Supernaut BETTER than if Santana had actually did it, because it is is such a mystifying contrast of styles it is like snow in the desert. You are befuddled by it, forced inward to try and make sense of this sonically induced synesthesia..

I get the same effect from the jammy breakdown in Symptom of the Universe

Quote:
"Woman child of love's creation, come and step inside my dreams.. in your eyes I see no sadness you are all that loving needs.."


Fucking shit, that is epic like Homer or Shakespeare

The power of contrast is the most moving in music
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