Quote:
A good version of Marty Robbins’ “El Paso” brings us out of the jamming, and the film closes out with a sublime version of Merle Haggard’s “Sing Me Back Home” that is just as slow and sweet as the sunset. I guess the organizers forgot that it would get dark out, and brought no stage lights, so that this last passage of the film gets grainier and grainier, more ghostly, through the length of the song, very abstract and hip in its underexposed way — the band reduced to dark shapes atomized against sky, and Garcia’s vocal so plaintive on the verses, Donna Jean adding her voice to the chorus. What a great way to go out.
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http://thetalkhouse.com/features/vie...cWAD74.twitter
Like seriously, this was some of the best writing about music I've read in a long time, Lee, you should think of taking this up more for other bands! I LOVED it
