agreed, I think Oasis' hype was the worst, but Smashing Pumpkins were up there.. the music press was acting like Melon Collie and the Infinite Sadness was the most artistic record of the decade. I mean, hey, I get it, the grunge era wasn't very creatively stimulating, but lets not kid ourselves and pretend that by default this made Smashing Pumpkins brilliant art-rock
