Another super interesting interview with Terrace:
http://www.okayplayer.com/news/terra...clusive.html/2
Quote:
OKP: The connection between To Pimp A Butterfly and Black Messiah is not intentional, but is very impressive. Can you speak about how these two records are tied to one another? Also, which songs from D’Angelo’s album astonished you to produce what you created with Kendrick?
TM: When people ask about what songs inspired what, I could honestly go down the list. But, more so than the songs, I feel like the album was more than a few colors to me. I pulled from the record pure life. I didn’t pull from just the harmonic aspect, I also pulled from the chord structure. So, to me, mentioning the song would be irrelevant. To me, for To Pimp A Butterfly, I saw hues of blue, I saw shades of brown and I definitely felt black. You understand what I’m saying? On the real, To Pimp A Butterfly was powered by certain colors that inspired me to create certain things on the record.
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So TPAB and Black Messiah have similar colors, huh? I can actually see it!
