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Old 04.11.2017, 02:02 PM   #32
evollove
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evollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's assesevollove kicks all y'all's asses
Isn't REPEATER a no-brainer? Even after all these years "Merchandise" is still so rousing. I only skip one or two tracks.

I like how Fugazi makes me chant out loud while driving.

13 SONGS - "Waiting Room" still stirs me. "Promises" and a few others, but some pretty boring and/or annoying tunes too.

Why does Fuzagi irritate me one minute, but make me want to start a revolution the next?

IN ON THE KILL TAKER has "Great Cop," one of my favs. And whenever I play "Instrument" for anyone, they are impressed.

But what the fuck are they singing? I think Guy enunciates even worse than Ian. Now I know how foreigners feel.

The experimentation and the good songs on RED MEDICINE make me want to rate it pretty high, but that's just because I forget about the boring ones.

For me, END HITS is one of those records where I'm waiting for it to really kick in, but it rarely does. I feel very inert toward it.

Yeah, THE ARGUMENT's good. No hardcore, though.

I made a playlist of Fugazi songs I don't really like and it was pretty long.

I made a best-of playlist which is a masterpiece.
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