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Old 10.19.2017, 01:49 PM   #21686
gogologogolo
little trouble girl
 
Join Date: Feb 2017
Posts: 52
gogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's assesgogologogolo kicks all y'all's asses
Gogol Bordello. Hah!

I think the best parts of the movie (as in the original), are the part where the movie is exploring the atmosphere of cyberpunk dystopian LA. As far as I'm concerned the movie did that so well that it didn't need much of a story. It seems that by tying it in to the first movie they constrained themselves. Part of what I liked about the first movie was how they left whether Deckard was a replicant or not ambiguous. Now that it's basically canon, it sort of takes something away for me.

Part of my criticism stems from my sheer technical incredulity of what's going on in the movie. What would be the point of building replicants with fully functioning sex organs? Why would the replicants being able to reproduce be the thing that causes a revolution, when the replicants apparently have to listen to what humans say? They already have human emotions, was that not enough?

Didn't realize Johannsson was removed from the project. Still some great sound design. Hans Zimmer must be a very busy man.
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