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Old 08.07.2006, 04:07 PM   #47
porkmarras
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Join Date: Mar 2006
Location: London - UK
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porkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's asses
5. Remember, you are still making music. Noise and experimental music can be very free-form, and annihilate the barriers and conventions of traditional music. That doesn't mean you should simply hold your guitar into an amplifier for an hour and call if music. And if you do, Lou Reed will have done it already, and will have done it better. Your music still needs a structure and purpose. Dynamics and variation are good. I will repeat that again. DYNAMICS AND VARIATION ARE GOOD. Whatever your first effort was, it did not have enough dynamics, variation, or balance, do it again at least twice.



^Or enough times to make you realize when it's got a place that's going to last and an audience that is going to last too.Didn't know this guy but most of this stuff sounds rather stimulating on many levels.
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