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Old 01.15.2007, 12:41 PM   #18
The Usher
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Join Date: Nov 2006
Location: Hell
Posts: 454
The Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's assesThe Usher kicks all y'all's asses
"There simply has to be some kind of narrative content with tendrils to some at least some notion of linear consciousness in film or at the very least there have to be resonant unconscious non-linearity that is relevant to unconscious archetypes that in their own way give content to the piece. If these forces of motion are not present, then a film turns into a big turd that just sits there".

Why? What do you mean it turns into a big turd? Why do you have to have meaning? Surely this is just a prescribed necessity that Hollywood demands.
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