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Old 05.05.2006, 08:57 AM   #18
porkmarras
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Join Date: Mar 2006
Location: London - UK
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porkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's assesporkmarras kicks all y'all's asses
Quote:
Originally Posted by truncated
I know what you mean, but I wonder if that would be disjointed because of the different aural environments each individual is experiencing.

While I personally dance like a spastic lemur, I can see the intimacy and intricacy of a dance between a pair, or even a group of people. You're communicating on the common frequency of a rhythm, and each person's bodily movements are an individual interpretation of that frequency. This phenomenon is what produces the "highs" at clubs, the general upbeat atmosphere.

There are few things more lovely than watching two people who truly 'feel' the music dancing with one another. They move in an unspoken sync that's almost unified; they become singular. It's one of the most erotic and intimate forms of interaction there is; locomotive poetry.
too right!!Did i not call you retarded a while ago?I was soooo wrong..........
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