Quote:
Originally Posted by andrei
Like Nefely said music should be loved for personal reasons, not collective.
|
I totally disagree with this. So what would you make of the way certain traditional folk pieces are perceived in any given country? You're only mentioning styles of rock that aren't even that particularly complex and are tagged in a lazy way. The prefix math was put in front of rock to describe music that is more staccato-like in nature, even though there is very little of the complexity of calculations in most of its exponents (just a personal opinion). A lot of it sounds like soporiphic and slightly more lo-fi progressive rock, or better still, progressive rock ashamed of its own status. There is terminology that is there for a reason. Sub-genres, like you call them, are only variations of any given style. Garage rock is a good example in that it is such a formulaic style of rock that sometimes borrows from other
genres (arabic scales, cacophony etc), still mantaining its garage rock stance. I am not saying that all music can be caged under the same umbrella that easily, but there is, mostly, a correct way to describe music even if it's not with a single term.