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Old 05.29.2008, 10:34 AM   #29
fluxequalsrad
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Join Date: Jun 2006
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fluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's assesfluxequalsrad kicks all y'all's asses
EVOL - suits the atmosphere perfectly, the really weird bass tone on this album was so weird for me when I first heard it, I couldn't believe they settled on it... its not a dead thunk or a groovy-bass sound, its more wide open and reverby.

Murray Street - All the business going on the background is really cool, especially the subtle-Lee stuff during Karenology. Jim O'Rourke also pitched alot of weird guitar sounds, I like the flute-sounding guitar on 'Disconnection Notice'

Washing Machine - tape hiss in all the right spots.
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