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Old 07.24.2008, 10:32 AM   #38
atsonicpark
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atsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's assesatsonicpark kicks all y'all's asses
The reason I bumped this thread...

For the new scissor shock album, I made up 50 promo copies. The actual album is going to be limited to 50 copies, so I made up 50 promos, which had the art copied from a printer with some neatly-handwritten text for the tracklisting, album title, etc. You know, not a super professional thing but actually quite time consuming and costly when you consider I mailed out 50 of these to places like Bulgaria and shit.

Anyway, the response has been quite good, a lot of people like the new album..

But I've gotten one email from someone saying they wouldn't review it because there's no packaging.. okay, fair enough.. then I got a review from vitalweekly saying how the music was great but the packaging sucked so they weren't going to say anything about it until I sent them a well packaged release.

Now in all seriousness, when did noise and related genres become all about the packaging? My music has always been about music and nothnig more -- I don't give a fuck if it's packaged in a condom or whatever, that's the last thing on my mind. However, the more I started thinking about it, the more I noticed noise releases over the years........ "this is some good feedback stuff but MAN THE PACKAGINGI S CRAZY" I always see reviews like that, never noticed it before.

I'm going to do an experiment wherein I release something in the craziest fucking package ever and release a CD of silence and see how many good reviews I get.
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