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Old 12.18.2008, 10:49 AM   #16
noisereductions
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noisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's assesnoisereductions kicks all y'all's asses
Quote:
Originally Posted by gualbert
Isn't this thread about harsh noise? ( Merzbow etc.)


Not necessarily... but that was what was in my head when I started it.

But yeah, to be honest I can't say that Merzbow does much for me. I mean I enjoyed the SYR8, but the bits of his discography I've heard just seemed to hurt my ears. And I think the fact that he craps out an album-a-week makes me think that he can't be trying too hard. (I could certainly be wrong, just be honest about my thought process).

But I mean stuff like Wolf Eyes, etc. Some of it is obnoxious and ugly (I tend to hate any sort of high-pitched piercing noise). But some of it can be interesting, too. But even if it's interesting, I dnt know if I think it sounds good.

Similarly, there's free jazz. There's more free jazz records that I think are interesting than there are ones I enjoy hearing. But there's exceptions. HURRICANE FLOYD is beautiful, thought I can't say why exactly.

But there's a such think as pretty noise, too. (Pink Noise? Blue noise?) Maybe that's closer to ambient works, though? I'm not sure. Like PLAYTHROUGHS or something. I can certainly understand all that.

And I sleep by a white noise machine every night.
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