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I've done some innovative stuff with my bands. Sounds egotistical, but I really have, that doesn't mean it's good, that just means I tried to do something different. I pioneered the speeding up of video game sounding pop songs with screaming over top. I don't think that stuff was very good (I don't make that kind of music anymore and haven't since around 1999) but for a while I was trying to make music specifically that I hadn't heard anything like before. Nowadays I make music that I naturally wnat to make but I think I occasionally stumbled upon a few things that had never been done before. Still, you can throw that into genres like "noise" and whatnot I guess if you really wanted to.
I think glitch music is pretty innovative and new, though the roots of that can be traced back to before 1990 I'm sure. I think stuff like Ryoji Ikeda and Alva Noto are really "innovative".
I'm willing to say "Balloon Music" by Judy Dunaway is pretty innovative and unlike anything that came before, though it can be traced back to classical music and noise, I guess. I dunno. There's been some innovative experimental stuff...
I'm willing to say that a lot of stuff Omoide Hatoba did was extremely innovative and there was really nothing like it.
I dunno. I think the guitarist of Melt Banana is pretty innovative.
I think Sun City Girls did some completely innovative stuff (amongst their 100+ releases), though they'd been around before 1990.
Really, any bands with 100+ releases are probably going to have shit unlike you've ever heard before.
ORTHRELM is pretty innovative; "Ov" sounds like nothing I've ever heard.
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