Quote:
Originally Posted by atsonicpark
I'm going to be the only one to reccomend you listen to "White Light From The Mouth Of Infinity".
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No you're not. Awesome record. Swans made me realise that what I've wanted out of rock music has always been, give or take, what Swans do, what Haino does, and what NNCK do. I mean, lyrically, Gira's impeccable. One of very few lyricists (actually, Low get this as well) who realise that rock's power isn't in playing dumb (the Ramones, the Cramps), or acting smart (the post-Dylan Continuum) or in failing to simulate classical music (prog, 'art rock', post-rock) but in reducing the lyric to total parity, and the music to skeletal viscera*. I don't read too much in the rock ambit any more, but I find it odd that Swans are never spoken of in terms of influencing doom and black metal.
Isn't Goth the archaic straw man of rock music that anteceded emo? That is to say, isn't that one of those words you can throw at just about anything and it works as a criticism, regardless of the fact that 'goth' seems to have more definitions than actual fans?
As for Swans reforming - I think there's a definite difference between a band like them reforming and someone like MBV or the Pixies. I can't imaigine either of the latter having anything more to say, musically or lyrically, but I'm confident that Gira could do something interesting. Ok, it won't be Holy Money, but it won't be 'together through life' (#1 in Britain, I note) or whatever turd the Pixies will turn out (or, for that matter, Pavement will when their turn for reformation comes around).
*Yes, I do know what the words mean. I'm being poetic. Fuck off.