Sonic Youth Gossip - View Single Post - What Jay Bennett's Death Made Me Realize About Wilco

dazedcola · 05.28.2009, 01:14 PM

http://www.spin.com/blog/what-jay-be...ze-about-wilco

A multi-instrumentalist and studio wiz, he helped Wilco shed its alt-country tag and move into the immersive, unclassifiable sonic territory they become known for. Bennett's Wilco debut Being There was a huge step forward, and by the time Summerteeth came out in 1999, they sounded like a completely different band. The songs were fuller, warmer, the standard guitar-and-drums set-up of A.M. had been supplemented by a lush psychedelic impressionism that was largely a product of Bennett's masterful work with farfisa organ, bells, Moog, lap steel guitar, banjo, synthesizer, and other instrumental exotica.

Yesterday I listened to Summerteeth and tried to imagine it without these contributions. How would "Can't Stand It" sound without those dramatic bell chimes that double the guitar chords at the opening? Would "I'm Always in Love" be half as good without the chirpy, Cars-ish analog synth? And would "She's A Jar" be anywhere near as heartbreaking without that soft, sighing organ that coos through the verses? Or those stately, orchestral synths that rise to bring in the chorus? Or that gentle oboe-like keyboard phrase that caresses the line "dry your eyes, you poor devil"?

05.28.2009, 01:14 PM	#1
dazedcola the end of the ugly Join Date: Mar 2006 Posts: 1,075	http://www.spin.com/blog/what-jay-be...ze-about-wilco A multi-instrumentalist and studio wiz, he helped Wilco shed its alt-country tag and move into the immersive, unclassifiable sonic territory they become known for. Bennett's Wilco debut Being There was a huge step forward, and by the time Summerteeth came out in 1999, they sounded like a completely different band. The songs were fuller, warmer, the standard guitar-and-drums set-up of A.M. had been supplemented by a lush psychedelic impressionism that was largely a product of Bennett's masterful work with farfisa organ, bells, Moog, lap steel guitar, banjo, synthesizer, and other instrumental exotica. Yesterday I listened to Summerteeth and tried to imagine it without these contributions. How would "Can't Stand It" sound without those dramatic bell chimes that double the guitar chords at the opening? Would "I'm Always in Love" be half as good without the chirpy, Cars-ish analog synth? And would "She's A Jar" be anywhere near as heartbreaking without that soft, sighing organ that coos through the verses? Or those stately, orchestral synths that rise to bring in the chorus? Or that gentle oboe-like keyboard phrase that caresses the line "dry your eyes, you poor devil"? __________________ "I said I didnt mean to take up all your sweet time Ill give it right back one of these days If I dont meet you no more in this world then uh Ill meet ya on the next one And dont be late " -Jimi Hendrix ...And me just another dream theory, lost inside your eye "when my mind's uncertain my body decides what it will do to get through the hell of the night as I trip on the ocean that leads through your eyes well my eyes can't wait til they finally see through you"
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