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Most artists in the mid to late 60s preferred to mix their albums in mono because they thought it sounded better and was suited to AM radio, where releases were played. The record companies often released stereo versions because they thought that's what the public really wanted. So if you're listening to the mono version of a lot of those LPs, chances are good that you're listening to it the way the artist intended it.
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Ever notice how this place just basically, well, sucks.
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