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Old 12.02.2009, 01:08 AM   #1
SpectralJulianIsNotDead
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SpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's assesSpectralJulianIsNotDead kicks all y'all's asses
And I think I might be insane now because of it.

There's something indescribable about it that's sort of chilling in a spiritual way. Like Marquez took all kinds of literary archetypes and motifs and distilled them into a profoundly lucid text. So much so that I find everything in the book believable. It seems to true to be fiction.

My favorite book- The Brothers Karamazov seems to be a true representation of mankind on a psychological level.

100 Years of Solitude on the other hand, seems to take it one step further into a true representation of mankind and human history. I feel like Macondo is analogous to Mercerism from PKD's "Do Androids Dream of Electric Sheep?" or to the time of Christ in his essay "How to Build a Universe that Doesn't Fall Apart Two Days Later"

At times reading the book and even after reading the book I felt like I was actually part of it. . . an Aureliano locked up in the chamber pot room trying to decipher Melquiades' texts.

This isn't the first time that I've got that into a book. I felt while reading Crime and Punishment that I was being transformed into Raskolnikov.

I don't know though. . . maybe I'm just a fool speaking gibberish.

Can anyone relate?
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