Quote:
Originally Posted by dionysusundone
new Nachtmystium/Twilight
Forgotten Tomb
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I saw them recently. Not as good as the support act,
Psyke Project.. I think I'd have enjoyed Nachtmystium on most other nights though. Also, might as well get the plug in for my
mate's band, who also played.
Quote:
Originally Posted by n'ik
dubstep now needs to become an unacceptable trend. if you accept the hardcore continuum theory then its time for dubstep to transmute into something else entirely. the only stuff i'm aware of that could be seen as picking up from burial would be maybe some of the darkstep stuff, but you don't get a lot of femininity in electronica, which is sad and which is why burial was so unusual. maybe a few of the hauntology albums explore something similar to what burial did, but were else do you get find a male making music and doing those kind of gender acrobatics with his voice? unfortunately not everywhere. that aspect is definitely the most important thing about his music and what everyone else needs to pick up on.
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See, I have this problem that the 'ardkore continuum tends to miss out on the actual hardcore. I'm not saying jumpstyle is the greatest new thing (and it might not actually be new) but dubstep seems to have this austerity about it that I can't really see producing much more. I mean, it's quite a diverse genre by now (SYRFox seems pretty up on it) so there's bound to be other things happening, but I get the impression it's at a similar point as when dnb became tech-step/ breakbeat, neither of which interested me in the least (or, crucially, female audiences, in my experience).
I saw the Arditti quartet doing Birtwhistle, Dusapin and Schnittke the other week. Birtwhistle and Schnittke I've liked for a while, but that Dusapin chap is pretty exceptional. I can't think of anything else that's blown my mind lately, apart from rediscovering Low, who are a much better band than I gave them credit for (a million years ago).