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Old 10.01.2007, 11:40 PM   #21
scott v
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scott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's assesscott v kicks all y'all's asses
i heard Kid 606 sounds best when you shove your head way up thome yorke's ass, so you get that indescribable warm and fuzzy feeling in your ears thats really unique.
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Old 10.02.2007, 05:10 PM   #22
StevOK
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Quote:
Originally Posted by atari 2600
One can intermittently get nice effects when synchronizing just about anything "right." In many cases, you get an extra spark of melody and a sense of a fragmented polyrhythm. And everyone knows that if you cue two tracks playing together of the same music mere fractions of a second apart, on say, two separate tape decks, you get lots of cool-sounding, phasing, doppler-wave shifts. Thing is, much of Radiohead's later music is just suited to this type of thing a little moreso than a lot of other bands. That's about all that needs to be written about this.

I'm going to try this with other stuff.
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