[Moshe]

http://www.dustedmagazine.com/reviews/3100


As its title academically promises, Tim Foljahn’s latest installment of off-center roots songs is a cycle of love ballads. Foljahn explores the emotions and experiences many men (as this is definitely love felt through a male heart) go through as they look for, find, and, most of all, lose love. Like Willie Nelson’s Red-Headed Stranger, The Wear and Tear is not interested in the love itself, but in the aftermath, the torn and battered psyche of the rejected male. Where Nelson’s red-headed stranger searched for macho respite in blood and revenge, Foljahn’s narrator wallows through self-pity and sadness.

The weighty title and its weightier concept could have sunk the record, but Foljahn and Steve Shelley keep their carry-on baggage light. Aside from a prologue and epilogue that are just frivolous instrumentals, the arrangements are modest and the instrumentation is clever. Acoustic and electric guitars drift languidly. Slowly but forcefully strummed chords slide against skeletal melody lines, while a tasteful and at times exotic use of synthesizers fill out the background. “The Wild Night” swells toward but never reaches a climax as tumescent bass tones throb anxiously. Foljahn matches these muted, more passive hues with a vocal palette of stormy browns. He’s got a nasal whine, off-hand country ease, slippery karnatic chromatics and vulnerable cracks in his bag and he slides between them with aplomb, sometime in the space of a single measure. The production bathes all in a trebly patina, leaving the songs airy and spacious.

Such roomy arrangements support Foljahn’s generally non-specific lyrics. Only the portraits, the pining “Swamp Girl” and the bitter “4 O'Clock,” outline any actual situation. Foljahn seems to be digging for the archetype of the love song; the love in these songs though has no specific object, no peg on which to hang one’s sorrows. It is an everyman’s love, and hence it feels at times like no one’s love. The end result is a record that has a lot of charm and plenty of sympathetic moments, but ultimately stays distant, out of reach and awash in a fuzzy logic. Such a lack of commitment might be why Foljahn’s narrator will always wander, lost but not loved.

By Matthew Wuethrich

[PAULYBEE2656]

again thanks moshe.i gotta pay more attention to two dollar guitar...

[greenlight]

thanks for info.

[Moshe]

Out today. Here is a message from Tim Foljahn:

Hey All,
Today is the day the new record (the wear and tera of fear: a lover's discourse) is released for your consumption. Please go to your indie record store and see if it's really there.

and

Thursday 9/21 @ the Goldhawk (10th and park, hoboken)
9:30pm
Two dollar Guitar featuring yours truly, Steve Shelley and brand new hostage Chris Brokaw! Thats right. Lookout!
No Cover. Come on.

9/29 @ El Cid, Los Angeles, California
You guessed it:Two Dollar Guitar!!!!!
They call it L.A. there

please come
we miss you
Tim

[Moshe]

did anybody buy it?

[Moshe]

TWO DOLLAR GUITAR
Wednesday
10/18/2006
7:00 PM
The Living Room
154 Ludlow
New York, NY 10002
BACK BY POPULAR DEMAND!!
A command repeat performance of last week's stellar performance featuring new performances of of some of those performances in addition to previously unperformed performances by these performers.

IT'S FREE!!!

[thewall91]

they're playing wednesdays in october at the living room. i went last wednesday. just so you know, though, they do start on time, unlike any other new york show i've been to. we got there at 7:30 and missed half their set. they're done by 8. there is a one-drink minimum to sit and watch.

[pokkeherrie]

two dollar guitar on tour:
http://www.myspace.com/twodollarguitar

some dates in usa (east coast), italy and france... paris gig also has lee ranaldo.

[guitarpro]

Cool