08.12.2008, 07:09 AM | #1 |
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Hadn't listened to HTT in a while. It's a really good set. But out of curiosity, why did they choose to play every song at marathon speed? Was it T aiming at hardcore, or speed induced intensity or what? I mean, they're playing like someone's chasing them with a butcher knife.
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08.12.2008, 07:17 AM | #2 |
expwy. to yr skull
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sounds shit too. maybe that was the point?
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08.12.2008, 07:17 AM | #3 |
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it's all faster to fit a cd.
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08.12.2008, 07:42 AM | #4 |
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You';re saying they didn't play faster, they just sped the tape up?
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08.12.2008, 07:46 AM | #5 |
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I always thought it was sped up a bit too.
(not them playing faster) |
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08.12.2008, 08:01 AM | #6 |
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hmm.
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08.12.2008, 08:04 AM | #7 |
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yeh, I've heard it's a sped-up recording as well. It sounds fucking acecore whatever the truth of the matter
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08.12.2008, 08:11 AM | #8 |
100%
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punk rock
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08.12.2008, 08:46 AM | #9 |
expwy. to yr skull
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its shit
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08.12.2008, 10:00 AM | #10 |
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The vox dont sound chipmunky. But maybe it was sliiight.
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08.12.2008, 10:05 AM | #11 |
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Vox only sound chipmunky if it's REALLY sped up.. actually, if the pitch is raised when being sped up.
If it was sped up, it was sped up like 1% |
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08.12.2008, 11:13 AM | #12 | |
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Quote:
The LP is the same speed. |
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08.12.2008, 11:51 AM | #13 |
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the tape was sped up to fit the LP format, remember this is back in 1987 and the cd was pretty new then.
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08.12.2008, 12:09 PM | #14 |
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But wasn't the CD supposedly remastered by Wharton in 97? (This is from memory... maybe I'm wrong?)
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08.12.2008, 03:38 PM | #15 | |
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Quote:
your right. so i presummed it was released in 97 it doesn't sound fast to me anyway, just really far away |
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08.12.2008, 04:37 PM | #16 |
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I think they were just playing fast. Seems like the mood (augmented by the 4 Ramones covers, which incidentally DON'T sound sped up-- like "Beat On The Brat" is played same speed as MASTERDIK version).
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08.12.2008, 05:20 PM | #17 | |
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Quote:
It's good. |
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08.12.2008, 08:46 PM | #18 | |
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ding ding ding. it's only a fraction, but i think the Gs sound as G#s, or somewhere in that glorious semitone between.
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