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#301 | |
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new LOW record sounds like they would collaborate with William Basinsky or smth. |
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#302 | |
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Hey, you’re right. Very interesting turn for a band 25 years into their career. Daring, experiments, overall pretty fookin sweet. |
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#303 | ||
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Beat me to it. Eh, what the hell, I'll post my post anyway. ![]() ![]() https://badabingrecords.bandcamp.com/album/gave-in-rest Quote:
https://sarahdavachi.com/index.html
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#304 | |
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Numero Group is just too cool for school. Out now: Various Artists, Basement Beehive: The Girl Group Underground. Guaranteed to be in Johnny Marr's collection already, methinks.
![]() ![]() https://basementbeehive.bandcamp.com...up-underground Quote:
http://www.numerogroup.com/products/...up-underground
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#305 |
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Out now: Marc Ribot, Songs Of Resistance 1942—2018.
![]() https://marcribot.bandcamp.com/album...ance-1942-2018 "Every movement which has ever won anything has had songs," says accomplished New York City guitarist Marc Ribot. For his new political album Songs of Resistance 1942—2018 – with a September 14 release date on ANTI- Records - Ribot set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record include a few original compositions as well as traditional songs that are drawn from World War II anti-Fascist Italian partisans, the U.S. civil rights movement and Mexican protest ballads. It also features a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius, Tift Merritt, Domenica Fossati, Syd Straw. At a time of such overwhelming social turmoil, finding a focus for this kind of project is challenging. Nevertheless, Ribot's purpose remained clear. "There’s a lot of contradiction in doing any kind of political music," he says, "how to act against something without becoming it, without resembling what you detest. Sometimes it is hard to figure out what to do, and I imagine we'll make mistakes, and hopefully, learn from them. But I knew this from the moment Donald Trump was elected: I'm not going to play downtown scene Furtwangler to any orange-comb-over dictator wannabe. No way." Portions of the album's proceeds will be donated to The Indivisible Project, an organization that helps individuals resist the Trump agenda via grassroots movements in their local communities. More info on The Indivisible Project can be found at www.indivisible.org. http://marcribot.com/
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#306 |
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new album by William Fowler Collins is coming out on Sige records in October. yes! finally new solo stuff after two records of collaborations with Aaron B. Turner and James Jackson Toth. this guy is dark, dark, dark minimalism in its finest.
William Fowler Collins: Field Music The subtle complexities of Field Music address the primal nature of rhythm in connection with the body and the building blocks of energy, matter, and consciousness. Fans of Eliane Radigue, Christophe Heemann, and Demdike Stare would be well served to investigate Field Music. https://sigerecords.merchtable.com/m...music-vinyl-lp |
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#307 |
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Justin Bond is fucking hilarious. I gotta get that Ribot
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#308 | |
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another album in which Frédéric D. Oberland is involved with will be released on November 18:
https://gizehrecords.bandcamp.com/album/kami Quote:
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what comes first,
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#309 |
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New Noname album is very, very good in kind of a ... hmm... I don’t really know how to put it, but it’s in line with some of the most impressive Black-with-a-captivated-B hip-hop albums in the last several years (think of Kendrick’s jazzier stuff and Solange’s “A Sest at the Table” as points of comparison).
Casually rapped, almost spoken-word rhymes laid down over truly jazzy, spacious beats. Strong new female voice in music, much needed in the rap game. |
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#310 | |
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I want this so badly |
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#311 | |
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She's been around. Keep up. Do you even like music? |
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#312 |
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#313 | |
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Hey fuck you.. “She’s been around.” Yep. One previous album in 2016 that was significantly less developed than this. Totally makes my saying her album is good and much-needed an irrelevant statement. What, are you trolling? Still a new voice. Disagree? Psshhhhh Do you even like not being a dick for no reason? Just kidding though, right? That’s cool that’s cool. Or not. I don’t know. FOAD |
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#314 | |
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Out November 2: Bob Dylan, The Bootleg Series Vol. 14: More Blood, More Tracks.
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Unless you're cool with the 1CD version (I'm not), prepare to bleed indeed...
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#315 | |
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Holy shit! This 6xCD shit is exorbitant and borderline gratuitous — who the fuck can afford that for every new Dylan archive project? And everyone’s doing it. Fuck it. I refuse on principle. Still ... awesome stuff! |
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#316 |
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I'm not crazy about the front artwork and the title. Blood On The Tracks has such a striking cover that suits the content perfectly, while this box set uses a decent but rather common pic of Bob in concert. And More Blood, More Tracks sounds like it was borrowed straight from a tacky boot — they do know BOTT features some of Dylan's best lyrics ever, don't they?
In any case, look, I don't know what in all that is F I'm gonna do, maybe rob a liquor store (storekeepers don't keep shotguns under the counter here, you know), but I am fucking getting this thing.
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#317 | |
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Out November 9: J Mascis, Elastic Days.
![]() https://www.subpop.com/releases/j_mascis/elastic_days https://jmascis.bandcamp.com/album/elastic-days Quote:
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#318 | |
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That was my attitude when the Velvet Underground did their big reissues of White Light/White Heat. Bought the 4xCD + 100-page booklet monster. Why? Fuck you, that’s why. Least that’s what I told my girlfriend at the time... probably... maybe... Worth it. I think the cover art is fitting for a BOTT-focuses *bootleg series* entry. If this were a straight reissue, I’d agree with you. |
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#319 | |
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This is bullcrap. Every previous volume of The Bootleg Series has featured more thoughtful cover art. If the point were to present these sets "as bootlegs", The Basement Tapes Complete should have just used the Great White Wonder artwork and fucked off.
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#320 |
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Just to clarify: I wasn't suggesting that the box set should use the same artwork as the original Blood On The Tracks, just something better and more pertinent than what we're seeing.
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