[demonrail666]

You can package a gig: making people aware of the bands that're playing. That's inevitable. My real beef is the various 'classic album' gigs that're doing the rounds.

It's not going anywhere. Leave the past be and move on.

The South Bank crowd is all about reclaiming the past for itself: legitimising the very things it once ignored and therefore making them 'important'.

[Norma J]

But what about the acts?

[demonrail666]

What ABOUT the acts?

[sonicl]

Oh, if we're talking about "classic album" shows, I'm with you on that, but that's not what I have been posting about. I was posting about a show with musicians doing their interpretations of Disney songs - there's no huge difference between pop musicians doing that and Miles Davis /John Coltrane doing the same.

[demonrail666]

Originally Posted by sonicl

Oh, if we're talking about "classic album" shows, I'm with you on that, but that's not what I have been posting about.

I know, but I can't help seeing a similarity between these curated legends-together type affairs and a band like Teenage Fanclub performing a run-through of Bandwagonesque.

It's no big deal anyway. All it tells me is that the people mentioned have at last admitted that their best years are behind them. It's up to the fans whether they want to pay into their retirement fund, I suppose.

[sonicl]

Well, no, not quite. The replaying of a classic album presents nothing new artistically. Artists working outside their recognised comfort zone (e.g. their own material) can present artistic challenges, both to the artists and the audience. For instance, anyone who went to the show last night to see the pop acts, also saw several interpretations of Disney classics by members of Sun Ra's Arkestra - hardly toe tapping stuff.

Nick Cave plays in these entertainment complexes a little to often , for someone who was once in The Birthday Party. He might want to be like Frank Sinatra, but Frank Sinatra is dull. Shane McGowan is a bit of an alcoholic who doesn't remember his whereabouts, and way past his prime. Pete Doherty is an old junkie trapped into a talentless hipster.

That's not my idea of entertainment, but to each their own.

[demonrail666]

Originally Posted by sonicl

Well, no, not quite. The replaying of a classic album presents nothing new artistically. Artists working outside their recognised comfort zone (e.g. their own material) can present artistic challenges, both to the artists and the audience. For instance, anyone who went to the show last night to see the pop acts, also saw several interpretations of Disney classics by members of Sun Ra's Arkestra - hardly toe tapping stuff.

Maybe not the same, but there is an air of smug self-satisfaction about both.

[sonicl]

Once again the art vs entertainment argument...

I would much prefer entertaining art, but failing that I'll take artless entertainment over unentertaining art any day.

[demonrail666]

Nothing wrong with artless entertainment when that's all a person is capable of. But, as we know, Nick Cave, Shane MacGowan and the Arkestra have proven themselves to be capable of a bit more than just that.

Don't get me wrong. I'm not attacking people enjoying this kind of thing. I'm just saying that when once exciting artists start taking this route it's a fair sign that their creative juices are running rather low.

Originally Posted by demonrail666

The South Bank crowd is all about reclaiming the past for itself: legitimising the very things it once ignored and therefore making them 'important'.

Spot on.

[nick2767]

Not sure I understand what you mean by the 'south bank crowd'? Do you mean the people who programme these events in the venues or the people who attend? If you're focusing just on the programme for this year's Meltdown then I tend to agree with your statement. The programme is mostly boring, awful and just lazily curated.

I'm not one of these people that subscribes to the artist must suffer for their art mentality or should stay true a persona they had over 20 years ago. I don't have a problem with artists just having fun or earning a buck. Whether I part with my hard earned cash though to see it is another matter altogether.

Whether any of them are still relevant or not, time will tell. In all honesty, the only one we're probably thinking about here is Cave, whose output these last few years has been as solid as ever. McGowan is past it, Doherty never had it and the Arkestra is untouchable. And anyway, one album of Disney covers out of a back catalgoue numbering over 300 can hardly be considered a crime against art - and Sun Ra probably didn't make any money from it either.