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06.27.2007, 02:51 AM
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#21 |
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invito al cielo
Join Date: Mar 2006
Location: Australia
Posts: 3,358
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I don't
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06.27.2007, 02:55 AM
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#22 |
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invito al cielo
Join Date: Jun 2006
Location: Orstralia
Posts: 4,917
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Really? I thought you would.
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I want girls with new-wave hair-doos |
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06.27.2007, 10:08 AM
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#23 | |
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invito al cielo
Join Date: Feb 2007
Posts: 18,510
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Quote:
My point exactly. |
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06.27.2007, 10:32 AM
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#24 |
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invito al cielo
Join Date: Aug 2006
Posts: 2,879
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Cattle and Cane is the best song. Ever.
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06.27.2007, 10:44 AM
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#25 |
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invito al cielo
Join Date: Mar 2006
Location: In the land of the Instigator
Posts: 27,991
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never heard of them
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RXTT's Intellectual Journey - my new blog where I talk about all the books I read. |
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06.27.2007, 10:46 AM
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#26 |
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Posts: n/a
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I like a few songs, but I'm not really fan.
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06.27.2007, 10:52 AM
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#27 |
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expwy. to yr skull
Join Date: Sep 2006
Location: UK
Posts: 1,308
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I've listened to odd tracks and thought they were pretty decent, i'ts just that ive never really cared enough to buy an album or anything. Maybe i should now though...
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06.27.2007, 12:28 PM
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#28 | |
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invito al cielo
Join Date: Feb 2007
Posts: 18,510
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Hard to disagree with that. |
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06.28.2007, 03:47 AM
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#29 |
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invito al cielo
Join Date: Mar 2006
Posts: 8,662
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"The Streets Of Your Town" is perfect summer listening.
__________________
Snow on Easter Sunday - Jesus Christ in reverse. |
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06.28.2007, 03:23 PM
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#30 | |
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invito al cielo
Join Date: Aug 2006
Posts: 2,879
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Quote:
From the New Yorker: Critic's Notebook The Great Between by Sasha Frere-Jones May 29, 2006 On May 6, Grant McLennan, one of two songwriters in the Australian band the Go-Betweens, died of a heart attack at his home in Brisbane, at the age of forty-eight. Though they formed the band in 1978, in the punk era, McLennan and his writing partner, Robert Forster, created an aesthetic that had little to do with volume, speed, or noise. They wrote plainspoken, serious, and intentionally literate pop songs that rarely cracked wise or hollered out loud. McLennan’s gorgeous song “Cattle and Cane,” from 1983, was voted by the Australasian Performing Right Association as one of the greatest modern Australian songs. The song is neither loud nor soft. It maintains a tension that it decides never to release. A simple but oddly timed motif is played in unison by guitar, bass, and kick drum. McLennan pauses between words, flickering between melancholy and a sense of wonder that we can remember things to be melancholy about: “I recall a boy in bigger pants / Like everyone just waiting for a chance / His father’s watch, he left it in the showers / From time to time / The waste, memory wastes.” |
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