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Old 02.13.2009, 08:01 PM   #41
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Quote:
Originally Posted by the ikara cult
Loathe as i am to join the discussion of a thread called "Put a Donk on It", I do hope you are all kidding when you call this crock of shit a "subculture". Its kinda insulting to any young person who may wish to make music

I quoted from the article in the magazine.

It is a subculture, though, in that a group of youngsters are into a style of music, a record shop or two is open to cater for this taste etc. A crap one it is too, but you can't call it anything else but a subculture.
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Old 02.13.2009, 08:07 PM   #42
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There's that bloke, something Searle, I think his name is, who makes a complete fortune doing those kinds of make-overs to big pop hits. I remember him doing absolute wonders with Frankie Goes to Hollywood's 'The Power of Love'. It's a strange thing to dedicate your creative energies to though. The money's no doubt great but I can't see it being particularly rewarding otherwise. Better than being a postman though, I suppose.
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Old 02.13.2009, 08:23 PM   #43
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It is kind of odd, but then again there have always been record companies that employ musicians/DJ's to produce that kind of stuff to sell it to clubs, advertising companies etc. Lou Reed himself started out getting paid to write disposable songs for cheap mass-market compilations on the Pickwick label. Apparently people like Jackson Browne and others all started out by going into these corporate places to write disposable songs in a few minutes for some money in exchange.
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Old 02.13.2009, 08:40 PM   #44
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Quote:
Originally Posted by the ikara cult
Loathe as i am to join the discussion of a thread called "Put a Donk on It", I do hope you are all kidding when you call this crock of shit a "subculture". Its kinda insulting to any young person who may wish to make music

You're kind of insulting to people in general.

But, more seriously for a second, subcultures aren't defined by an individual's will, and neither are they defined by ration. Bassline/ Happy Hardcore (from which this whole Donk thing is springing) are definitely subterfuges within popular consciousness (they certainly affect a great many more people than this board's beloved 'noise' genre), I don't see why that isn't a subculture, or at least sub-narrative.
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Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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Old 02.13.2009, 08:43 PM   #45
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Quote:
Originally Posted by sarramkrop
It is kind of odd, but then again there have always been record companies that employ musicians/DJ's to produce that kind of stuff to sell it to clubs, advertising companies etc. Lou Reed himself started out getting paid to write disposable songs for cheap mass-market compilations on the Pickwick label. Apparently people like Jackson Browne and others all started out by going into these corporate places to write disposable songs in a few minutes for some money in exchange.

It's a fascinating process. I've known a handful of corporate writers - nice people, but definitely backroom geeks. The thing for me is that there's lots of 'you lift me up' (or whatever that Westlife song was called) but there haven't been a pop team as magnificent as Xenomania since... SAW? the Pet Shop Boys? It's a cunt, writing decent pop.
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Quote:
Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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Old 02.14.2009, 05:28 PM   #46
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[quote=demonrail666]Why?[/quote

Because not only do i not like the music, it has nothing else about it that i can at least admire. So yes, i hate the idea of standards being so reduced and this falls right under that umbrella
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Old 02.15.2009, 08:13 AM   #47
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Quote:
Originally Posted by sarramkrop
It is kind of odd, but then again there have always been record companies that employ musicians/DJ's to produce that kind of stuff to sell it to clubs, advertising companies etc. Lou Reed himself started out getting paid to write disposable songs for cheap mass-market compilations on the Pickwick label. Apparently people like Jackson Browne and others all started out by going into these corporate places to write disposable songs in a few minutes for some money in exchange.

I'm fascinated by that tradition. Anonymous hit writers and shapers. The 'Brill Building Sound', etc. Relatively unsung heroes of pop: Laura Nyro, Carole King, Claus Ogerman, et al. That ability to write great pop to order has been denigrated over the years, with artists too eager to write their own material regardless of whether they're actually any good at it. Being a great guitarist/singer/whatever doesn't necessarily equip you to write something as marvelous as 'Up on the Roof' or a raft of other written to order gems.
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Old 02.20.2009, 01:58 PM   #48
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Donk-umentary
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Quote:
Originally Posted by Savage Clone
Last time I was in Chicago I spent an hour in a Nazi submarine with a banjo player.
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Old 02.20.2009, 02:45 PM   #49
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Quote:
Originally Posted by Glice

Speechless! Genuinely speechless. I just watched all five parts. I seriously need to find a way of downloading it. This CANNOT be lost. "Fat lads on steroids", "Air Max and bikinis" I had no idea! I'm going to cook some dinner now, bring it upstairs and I'm gonna watch it again. I'm in a daze.
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Old 06.29.2009, 08:18 AM   #50
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Quote:
Originally Posted by Glice

I just watched all of that and then did a search for donk on here.

Just 24 hours ago I was blissfully unaware of this whole scene. Worst youth subculture of the last 15 years? Quite possibly.
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Old 06.29.2009, 08:32 AM   #51
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I'm not that aware of the current state of UK youth sociodemographics, but isn't this something that chavs listen to?
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Old 06.29.2009, 08:36 AM   #52
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Quote:
Originally Posted by _slavo_
I'm not that aware of the current state of UK youth sociodemographics, but isn't this something that chavs listen to?

chavs on steroids.
also 14-15 year old boys and girls (growing up to become chavs)

it has to be seen to believe it... burnley's buzzin'.
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Old 06.29.2009, 08:36 AM   #53
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"pre-chav music"
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Old 06.29.2009, 08:38 AM   #54
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pre, present and post
(doesn't surprise me glice enjoys it either, given his happy hardcore leanings)

anyway, glad i don't live there.
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Old 06.29.2009, 12:29 PM   #55
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donk died for somebody's sins, but not mine.
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Old 06.29.2009, 12:46 PM   #56
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if I were still a DJ, I would be forced to change my name to Donk E-Kong.

although I haven't had a chance to visit links and hear for myself, I won't be shocked to learn that donk was heavily influenced by wonky.

in fact, wonky-donk could very well be the NEXT BIG THING (I'll be registering Wonky Kong too, just in case).
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Old 06.29.2009, 03:57 PM   #57
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Quote:
Originally Posted by Glice

as demonrail said, that's just ubelievable.
a fine crafted mixture of everything wrong about teenage people. drugs, cheesy dumb music, stupid aggresive steroid-soaked assholes, violence ... and tracksuits.
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Old 06.29.2009, 04:44 PM   #58
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tracksuits are a cross generational thing, aren't they? shared by both chavs on the donk scene and grandpas in florida.
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Old 06.29.2009, 05:47 PM   #59
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woah
I had never heard of this donk scene before checking this thread, and I must say I'm pretty amazed. Worst thing is, "Put A Donk On It" isn't even the worst thing to come out of this - try checking Chemical Crew's "What's A Donk", it's even worse.
Could it be the english equivalent for french's tecktonik?
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Old 06.29.2009, 05:52 PM   #60
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these guys sure put on a great live show. http://www.youtube.com/watch?v=3aLUx...eature=related
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